# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 4]

Iachimo

337

Ay, and the approbation of those that weep this
lamentable divorce under her colours are wonderfully
to extend him; be it but to fortify her judgment,
which else an easy battery might lay flat, for
taking a beggar without less quality. But how comes
it he is to sojourn with you? How creeps
acquaintance?

2

Cymbeline
[I, 6]

Iachimo

705

Lamentable! What,
To hide me from the radiant sun and solace
I' the dungeon by a snuff?

3

Henry V
[II, 1]

Hostess Quickly

622

As ever you came of women, come in quickly to Sir
John. Ah, poor heart! he is so shaked of a burning
quotidian tertian, that it is most lamentable to
behold. Sweet men, come to him.

4

Henry VI, Part II
[IV, 2]

Jack Cade

2380

Nay, that I mean to do. Is not this a lamentable
thing, that of the skin of an innocent lamb should
be made parchment? that parchment, being scribbled
o'er, should undo a man? Some say the bee stings:
but I say, 'tis the bee's wax; for I did but seal
once to a thing, and I was never mine own man
since. How now! who's there?

5

King John
[III, 1]

Constance

916

Gone to be married! gone to swear a peace!
False blood to false blood join'd! gone to be friends!
Shall Lewis have Blanch, and Blanch those provinces?
It is not so; thou hast misspoke, misheard:
Be well advised, tell o'er thy tale again:
It cannot be; thou dost but say 'tis so:
I trust I may not trust thee; for thy word
Is but the vain breath of a common man:
Believe me, I do not believe thee, man;
I have a king's oath to the contrary.
Thou shalt be punish'd for thus frighting me,
For I am sick and capable of fears,
Oppress'd with wrongs and therefore full of fears,
A widow, husbandless, subject to fears,
A woman, naturally born to fears;
And though thou now confess thou didst but jest,
With my vex'd spirits I cannot take a truce,
But they will quake and tremble all this day.
What dost thou mean by shaking of thy head?
Why dost thou look so sadly on my son?
What means that hand upon that breast of thine?
Why holds thine eye that lamentable rheum,
Like a proud river peering o'er his bounds?
Be these sad signs confirmers of thy words?
Then speak again; not all thy former tale,
But this one word, whether thy tale be true.

6

King Lear
[IV, 1]

Edgar

2247

Yet better thus, and known to be contemn'd,
Than still contemn'd and flatter'd. To be worst,
The lowest and most dejected thing of fortune,
Stands still in esperance, lives not in fear.
The lamentable change is from the best;
The worst returns to laughter. Welcome then,
Thou unsubstantial air that I embrace!
The wretch that thou hast blown unto the worst
Owes nothing to thy blasts.
[Enter Gloucester, led by an Old Man.]
But who comes here?
My father, poorly led? World, world, O world!
But that thy strange mutations make us hate thee,
Life would not yield to age.

7

Love's Labour's Lost
[V, 2]

Rosaline

2184

O, they were all in lamentable cases!
The king was weeping-ripe for a good word.

8

Midsummer Night's Dream
[I, 2]

Quince

275

Marry, our play is, The most lamentable comedy, and
most cruel death of Pyramus and Thisby.

9

Rape of Lucrece

Shakespeare

14

Lucius Tarquinius, for his excessive pride surnamed Superbus,
after he had caused his own father-in-law Servius Tullius to be
cruelly murdered, and, contrary to the Roman laws and customs,
not requiring or staying for the people's suffrages, had
possessed himself of the kingdom, went, accompanied with his sons
and other noblemen of Rome, to besiege Ardea. During which siege
the principal men of the army meeting one evening at the tent of
Sextus Tarquinius, the king's son, in their discourses after
supper every one commended the virtues of his own wife: among
whom Collatinus extolled the incomparable chastity of his wife
Lucretia. In that pleasant humour they posted to Rome; and
intending, by their secret and sudden arrival, to make trial of
that which every one had before avouched, only Collatinus finds
his wife, though it were late in the night, spinning amongst her
maids: the other ladies were all found dancing and revelling, or
in several disports. Whereupon the noblemen yielded Collatinus
the victory, and his wife the fame. At that time Sextus
Tarquinius being inflamed with Lucrece' beauty, yet smothering
his passions for the present, departed with the rest back to the
camp; from whence he shortly after privily withdrew himself, and
was, according to his estate, royally entertained and lodged by
Lucrece at Collatium. The same night he treacherously stealeth
into her chamber, violently ravished her, and early in the
morning speedeth away. Lucrece, in this lamentable plight,
hastily dispatcheth messengers, one to Rome for her father,
another to the camp for Collatine. They came, the one
accompanied with Junius Brutus, the other with Publius Valerius;
and finding Lucrece attired in mourning habit, demanded the cause
of her sorrow. She, first taking an oath of them for her
revenge, revealed the actor, and whole manner of his dealing, and
withal suddenly stabbed herself. Which done, with one consent
they all vowed to root out the whole hated family of the
Tarquins; and bearing the dead body to Rome, Brutus acquainted
the people with the doer and manner of the vile deed, with a
bitter invective against the tyranny of the king: wherewith the
people were so moved, that with one consent and a general
acclamation the Tarquins were all exiled, and the state
government changed from kings to consuls.

10

Rape of Lucrece

Shakespeare

1425

A thousand lamentable objects there,
In scorn of nature, art gave lifeless life:
Many a dry drop seem'd a weeping tear,
Shed for the slaughter'd husband by the wife:
The red blood reek'd, to show the painter's strife;
And dying eyes gleam'd forth their ashy lights,
Like dying coals burnt out in tedious nights.

11

Richard II
[V, 1]

King Richard II

2369

A king of beasts, indeed; if aught but beasts,
I had been still a happy king of men.
Good sometime queen, prepare thee hence for France:
Think I am dead and that even here thou takest,
As from my death-bed, thy last living leave.
In winter's tedious nights sit by the fire
With good old folks and let them tell thee tales
Of woeful ages long ago betid;
And ere thou bid good night, to quit their griefs,
Tell thou the lamentable tale of me
And send the hearers weeping to their beds:
For why, the senseless brands will sympathize
The heavy accent of thy moving tongue
And in compassion weep the fire out;
And some will mourn in ashes, some coal-black,
For the deposing of a rightful king.

12

Romeo and Juliet
[II, 4]

Mercutio

1187

The pox of such antic, lisping, affecting
fantasticoes; these new tuners of accents! 'By Jesu,
a very good blade! a very tall man! a very good
whore!' Why, is not this a lamentable thing,
grandsire, that we should be thus afflicted with
these strange flies, these fashion-mongers, these
perdona-mi's, who stand so much on the new form,
that they cannot at ease on the old bench? O, their
bones, their bones!

13

Romeo and Juliet
[IV, 5]

Nurse

2672

O lamentable day!

14

Romeo and Juliet
[IV, 5]

Nurse

2687

O lamentable day!

15

Romeo and Juliet
[IV, 5]

Nurse

2708

O woe! O woful, woful, woful day!
Most lamentable day, most woful day,
That ever, ever, I did yet behold!
O day! O day! O day! O hateful day!
Never was seen so black a day as this:
O woful day, O woful day!

16

Romeo and Juliet
[V, 3]

Friar Laurence

3095

Romeo!
[Advances]
Alack, alack, what blood is this, which stains
The stony entrance of this sepulchre?
What mean these masterless and gory swords
To lie discolour'd by this place of peace?
[Enters the tomb]
Romeo! O, pale! Who else? what, Paris too?
And steep'd in blood? Ah, what an unkind hour
Is guilty of this lamentable chance!
The lady stirs.

17

Two Gentlemen of Verona
[IV, 4]

Julia

1998

About my stature; for at Pentecost,
When all our pageants of delight were play'd,
Our youth got me to play the woman's part,
And I was trimm'd in Madam Julia's gown,
Which served me as fit, by all men's judgments,
As if the garment had been made for me:
Therefore I know she is about my height.
And at that time I made her weep agood,
For I did play a lamentable part:
Madam, 'twas Ariadne passioning
For Theseus' perjury and unjust flight;
Which I so lively acted with my tears
That my poor mistress, moved therewithal,
Wept bitterly; and would I might be dead
If I in thought felt not her very sorrow!