# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 1]

Helena

770

The great'st grace lending grace
Ere twice the horses of the sun shall bring
Their fiery torcher his diurnal ring,
Ere twice in murk and occidental damp
Moist Hesperus hath quench'd his sleepy lamp,
Or four and twenty times the pilot's glass
Hath told the thievish minutes how they pass,
What is infirm from your sound parts shall fly,
Health shall live free and sickness freely die.

2

Antony and Cleopatra
[V, 2]

Cleopatra

3738

Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt's grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.
[Kisses them. IRAS falls and dies]
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.

3

Hamlet
[I, 1]

Horatio

129

A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
As stars with trains of fire, and dews of blood,
Disasters in the sun; and the moist star
Upon whose influence Neptune's empire stands
Was sick almost to doomsday with eclipse.
And even the like precurse of fierce events,
As harbingers preceding still the fates
And prologue to the omen coming on,
Have heaven and earth together demonstrated
Unto our climature and countrymen.
[Enter Ghost again.]
But soft! behold! Lo, where it comes again!
I'll cross it, though it blast me.- Stay illusion!
[Spreads his arms.]
If thou hast any sound, or use of voice,
Speak to me.
If there be any good thing to be done,
That may to thee do ease, and, grace to me,
Speak to me.
If thou art privy to thy country's fate,
Which happily foreknowing may avoid,
O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth
(For which, they say, you spirits oft walk in death),
[The cock crows.]
Speak of it! Stay, and speak!- Stop it, Marcellus!

4

Henry IV, Part II
[I, 2]

Lord Chief Justice

505

Do you set down your name in the scroll of
that are written down old with all the characters of age?
you not a moist eye, a dry hand, a yellow cheek, a white
decreasing leg, an increasing belly? Is not your voice
your wind short, your chin double, your wit single, and every
part about you blasted with antiquity? And will you yet call
yourself young? Fie, fie, fie, Sir John!

5

Henry IV, Part II
[IV, 5]

Henry V

3034

O, pardon me, my liege! But for my tears,
The moist impediments unto my speech,
I had forestall'd this dear and deep rebuke
Ere you with grief had spoke and I had heard
The course of it so far. There is your crown,
And he that wears the crown immortally
Long guard it yours! [Kneeling] If I affect it more
Than as your honour and as your renown,
Let me no more from this obedience rise,
Which my most inward true and duteous spirit
Teacheth this prostrate and exterior bending!
God witness with me, when I here came in
And found no course of breath within your Majesty,
How cold it struck my heart! If I do feign,
O, let me in my present wildness die,
And never live to show th' incredulous world
The noble change that I have purposed!
Coming to look on you, thinking you dead-
And dead almost, my liege, to think you were-
I spake unto this crown as having sense,
And thus upbraided it: 'The care on thee depending
Hath fed upon the body of my father;
Therefore thou best of gold art worst of gold.
Other, less fine in carat, is more precious,
Preserving life in med'cine potable;
But thou, most fine, most honour'd, most renown'd,
Hast eat thy bearer up.' Thus, my most royal liege,
Accusing it, I put it on my head,
To try with it—as with an enemy
That had before my face murd'red my father—
The quarrel of a true inheritor.
But if it did infect my blood with joy,
Or swell my thoughts to any strain of pride;
If any rebel or vain spirit of mine
Did with the least affection of a welcome
Give entertainment to the might of it,
Let God for ever keep it from my head,
And make me as the poorest vassal is,
That doth with awe and terror kneel to it!

6

Henry VI, Part I
[I, 1]

Duke of Bedford

48

Cease, cease these jars and rest your minds in peace:
Let's to the altar: heralds, wait on us:
Instead of gold, we'll offer up our arms:
Since arms avail not now that Henry's dead.
Posterity, await for wretched years,
When at their mothers' moist eyes babes shall suck,
Our isle be made a nourish of salt tears,
And none but women left to wail the dead.
Henry the Fifth, thy ghost I invocate:
Prosper this realm, keep it from civil broils,
Combat with adverse planets in the heavens!
A far more glorious star thy soul will make
Than Julius Caesar or bright—

7

Othello
[III, 4]

Othello

2213

Give me your hand: this hand is moist, my lady.

8

Othello
[III, 4]

Othello

2215

This argues fruitfulness and liberal heart:
Hot, hot, and moist: this hand of yours requires
A sequester from liberty, fasting and prayer,
Much castigation, exercise devout;
For here's a young and sweating devil here,
That commonly rebels. 'Tis a good hand,
A frank one.

9

Troilus and Cressida
[I, 3]

Nestor

481

With due observance of thy godlike seat,
Great Agamemnon, Nestor shall apply
Thy latest words. In the reproof of chance
Lies the true proof of men: the sea being smooth,
How many shallow bauble boats dare sail
Upon her patient breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentle Thetis, and anon behold
The strong-ribb'd bark through liquid mountains cut,
Bounding between the two moist elements,
Like Perseus' horse: where's then the saucy boat
Whose weak untimber'd sides but even now
Co-rivall'd greatness? Either to harbour fled,
Or made a toast for Neptune. Even so
Doth valour's show and valour's worth divide
In storms of fortune; for in her ray and brightness
The herd hath more annoyance by the breeze
Than by the tiger; but when the splitting wind
Makes flexible the knees of knotted oaks,
And flies fled under shade, why, then the thing of courage
As roused with rage with rage doth sympathize,
And with an accent tuned in selfsame key
Retorts to chiding fortune.

10

Two Gentlemen of Verona
[III, 2]

Proteus

1525

Say that upon the altar of her beauty
You sacrifice your tears, your sighs, your heart:
Write till your ink be dry, and with your tears
Moist it again, and frame some feeling line
That may discover such integrity:
For Orpheus' lute was strung with poets' sinews,
Whose golden touch could soften steel and stones,
Make tigers tame and huge leviathans
Forsake unsounded deeps to dance on sands.
After your dire-lamenting elegies,
Visit by night your lady's chamber-window
With some sweet concert; to their instruments
Tune a deploring dump: the night's dead silence
Will well become such sweet-complaining grievance.
This, or else nothing, will inherit her.

11

Venus and Adonis

Shakespeare

159

'Thou canst not see one wrinkle in my brow;
Mine eyes are gray and bright and quick in turning:
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve, or seem to melt.

12

Venus and Adonis

Shakespeare

875

Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.