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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 1] |
Parolles |
153 |
Let me see: marry, ill, to like him that ne'er it
likes. 'Tis a commodity will lose the gloss with
lying; the longer kept, the less worth: off with 't
while 'tis vendible; answer the time of request.
Virginity, like an old courtier, wears her cap out
of fashion: richly suited, but unsuitable: just
like the brooch and the tooth-pick, which wear not
now. Your date is better in your pie and your
porridge than in your cheek; and your virginity,
your old virginity, is like one of our French
withered pears, it looks ill, it eats drily; marry,
'tis a withered pear; it was formerly better;
marry, yet 'tis a withered pear: will you anything with it?
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2 |
All's Well That Ends Well
[I, 3] |
Clown |
362 |
You're shallow, madam, in great friends; for the
knaves come to do that for me which I am aweary of.
He that ears my land spares my team and gives me
leave to in the crop; if I be his cuckold, he's my
drudge: he that comforts my wife is the cherisher
of my flesh and blood; he that cherishes my flesh
and blood loves my flesh and blood; he that loves my
flesh and blood is my friend: ergo, he that kisses
my wife is my friend. If men could be contented to
be what they are, there were no fear in marriage;
for young Charbon the Puritan and old Poysam the
Papist, howsome'er their hearts are severed in
religion, their heads are both one; they may jowl
horns together, like any deer i' the herd.
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3 |
All's Well That Ends Well
[II, 1] |
Helena |
711 |
The rather will I spare my praises towards him:
Knowing him is enough. On's bed of death
Many receipts he gave me: chiefly one.
Which, as the dearest issue of his practise,
And of his old experience the oily darling,
He bade me store up, as a triple eye,
Safer than mine own two, more dear; I have so;
And hearing your high majesty is touch'd
With that malignant cause wherein the honour
Of my dear father's gift stands chief in power,
I come to tender it and my appliance
With all bound humbleness.
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4 |
All's Well That Ends Well
[II, 3] |
Parolles |
1100 |
You are too old, sir; let it satisfy you, you are too old.
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5 |
All's Well That Ends Well
[II, 3] |
Parolles |
1135 |
Well, thou hast a son shall take this disgrace off
me; scurvy, old, filthy, scurvy lord! Well, I must
be patient; there is no fettering of authority.
I'll beat him, by my life, if I can meet him with
any convenience, an he were double and double a
lord. I'll have no more pity of his age than I
would of—I'll beat him, an if I could but meet him again.
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6 |
All's Well That Ends Well
[II, 4] |
Parolles |
1221 |
You had my prayers to lead them on; and to keep them
on, have them still. O, my knave, how does my old lady?
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7 |
All's Well That Ends Well
[III, 2] |
Clown |
1409 |
I have no mind to Isbel since I was at court: our
old ling and our Isbels o' the country are nothing
like your old ling and your Isbels o' the court:
the brains of my Cupid's knocked out, and I begin to
love, as an old man loves money, with no stomach.
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8 |
All's Well That Ends Well
[III, 5] |
(stage directions) |
1605 |
[Enter an old Widow of Florence, DIANA, VIOLENTA,]
and MARIANA, with other Citizens]
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9 |
All's Well That Ends Well
[III, 6] |
First Lord |
1826 |
We'll make you some sport with the fox ere we case
him. He was first smoked by the old lord Lafeu:
when his disguise and he is parted, tell me what a
sprat you shall find him; which you shall see this
very night.
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10 |
All's Well That Ends Well
[V, 3] |
King of France |
2718 |
All is whole;
Not one word more of the consumed time.
Let's take the instant by the forward top;
For we are old, and on our quick'st decrees
The inaudible and noiseless foot of Time
Steals ere we can effect them. You remember
The daughter of this lord?
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11 |
All's Well That Ends Well
[V, 3] |
Lafeu |
2755 |
Come on, my son, in whom my house's name
Must be digested, give a favour from you
To sparkle in the spirits of my daughter,
That she may quickly come.
[BERTRAM gives a ring]
By my old beard,
And every hair that's on't, Helen, that's dead,
Was a sweet creature: such a ring as this,
The last that e'er I took her at court,
I saw upon her finger.
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12 |
All's Well That Ends Well
[V, 3] |
Diana |
3005 |
Because he's guilty, and he is not guilty:
He knows I am no maid, and he'll swear to't;
I'll swear I am a maid, and he knows not.
Great king, I am no strumpet, by my life;
I am either maid, or else this old man's wife.
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13 |
Antony and Cleopatra
[I, 2] |
Iras |
98 |
No, you shall paint when you are old.
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14 |
Antony and Cleopatra
[I, 2] |
Domitius Enobarus |
256 |
Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.
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15 |
Antony and Cleopatra
[I, 5] |
Cleopatra |
543 |
O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse! for wot'st thou whom thou movest?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring 'Where's my serpent of old Nile?'
For so he calls me: now I feed myself
With most delicious poison. Think on me,
That am with Phoebus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch: and great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect and die
With looking on his life.
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16 |
Antony and Cleopatra
[III, 5] |
Domitius Enobarus |
1799 |
This is old: what is the success?
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17 |
Antony and Cleopatra
[III, 13] |
Domitius Enobarus |
2368 |
[Aside] 'Tis better playing with a lion's whelp
Than with an old one dying.
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18 |
Antony and Cleopatra
[IV, 1] |
Octavius |
2496 |
He calls me boy; and chides, as he had power
To beat me out of Egypt; my messenger
He hath whipp'd with rods; dares me to personal combat,
Caesar to Antony: let the old ruffian know
I have many other ways to die; meantime
Laugh at his challenge.
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19 |
As You Like It
[I, 1] |
Oliver |
68 |
Get you with him, you old dog.
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20 |
As You Like It
[I, 1] |
Adam |
69 |
Is 'old dog' my reward? Most true, I have lost my teeth in
your service. God be with my old master! He would not have spoke
such a word.
Exeunt ORLANDO and ADAM
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