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To sell a bargain well is as cunning as fast and loose.

      — Love's Labour's Lost, Act III Scene 1

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KEYWORD: others

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[III, 12]

(stage directions)

2196

[Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others]

2

Antony and Cleopatra
[IV, 2]

(stage directions)

2515

[Enter MARK ANTONY, CLEOPATRA, DOMITIUS ENOBARBUS,]
CHARMIAN, IRAS, ALEXAS, with others]

3

Antony and Cleopatra
[IV, 4]

(stage directions)

2617

[Enter MARK ANTONY and CLEOPATRA, CHARMIAN, and]
others attending]

4

Antony and Cleopatra
[IV, 6]

(stage directions)

2702

[Flourish. Enter OCTAVIUS CAESAR, AGRIPPA, with]
DOMITIUS ENOBARBUS, and others]

5

Antony and Cleopatra
[IV, 7]

(stage directions)

2753

[Alarum. Drums and trumpets. Enter AGRIPPA]
and others]

6

Antony and Cleopatra
[IV, 8]

(stage directions)

2780

[Alarum. Enter MARK ANTONY, in a march; SCARUS,]
with others]

7

Antony and Cleopatra
[V, 1]

(stage directions)

3276

[Enter OCTAVIUS CAESAR, AGRIPPA, DOLABELLA, MECAENAS,]
GALLUS, PROCULEIUS, and others, his council of war]

8

Antony and Cleopatra
[V, 2]

Dolabella

3523

Madam, he will; I know't.
[Flourish, and shout within, 'Make way there:]
Octavius Caesar!']
[Enter OCTAVIUS CAESAR, GALLUS, PROCULEIUS,]
MECAENAS, SELEUCUS, and others of his Train]

9

Antony and Cleopatra
[V, 2]

Cleopatra

3604

Be it known, that we, the greatest, are misthought
For things that others do; and, when we fall,
We answer others' merits in our name,
Are therefore to be pitied.

10

As You Like It
[I, 2]

Orlando

286

No, fair Princess; he is the general challenger. I come
but in, as others do, to try with him the strength of my youth.

11

As You Like It
[II, 5]

(stage directions)

819

Enter AMIENS, JAQUES, and OTHERS

12

Comedy of Errors
[II, 1]

Adriana

377

Unfeeling fools can with such wrongs dispense.
I know his eye doth homage otherwhere,
Or else what lets it but he would be here?
Sister, you know he promised me a chain;
Would that alone, alone he would detain,
So he would keep fair quarter with his bed!
I see the jewel best enamelled
Will lose his beauty; yet the gold bides still,
That others touch, and often touching will
Wear gold: and no man that hath a name,
By falsehood and corruption doth it shame.
Since that my beauty cannot please his eye,
I'll weep what's left away, and weeping die.

13

Comedy of Errors
[III, 2]

Luciana

763

And may it be that you have quite forgot
A husband's office? shall, Antipholus.
Even in the spring of love, thy love-springs rot?
Shall love, in building, grow so ruinous?
If you did wed my sister for her wealth,
Then for her wealth's sake use her with more kindness:
Or if you like elsewhere, do it by stealth;
Muffle your false love with some show of blindness:
Let not my sister read it in your eye;
Be not thy tongue thy own shame's orator;
Look sweet, be fair, become disloyalty;
Apparel vice like virtue's harbinger;
Bear a fair presence, though your heart be tainted;
Teach sin the carriage of a holy saint;
Be secret-false: what need she be acquainted?
What simple thief brags of his own attaint?
'Tis double wrong, to truant with your bed
And let her read it in thy looks at board:
Shame hath a bastard fame, well managed;
Ill deeds are doubled with an evil word.
Alas, poor women! make us but believe,
Being compact of credit, that you love us;
Though others have the arm, show us the sleeve;
We in your motion turn and you may move us.
Then, gentle brother, get you in again;
Comfort my sister, cheer her, call her wife:
'Tis holy sport to be a little vain,
When the sweet breath of flattery conquers strife.

14

Comedy of Errors
[V, 1]

(stage directions)

1458

[Enter ADRIANA, LUCIANA, the Courtezan, and others]

15

Coriolanus
[I, 4]

Coriolanus

491

Then shall we hear their 'larum, and they ours.
Now, Mars, I prithee, make us quick in work,
That we with smoking swords may march from hence,
To help our fielded friends! Come, blow thy blast.
[They sound a parley. Enter two Senators with others]
on the walls]
Tutus Aufidius, is he within your walls?

16

Coriolanus
[I, 6]

Cominius

647

Ay, if you come not in the blood of others,
But mantled in your own.

17

Coriolanus
[II, 1]

Junius Brutus

935

And topping all others in boasting.

18

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

19

Coriolanus
[III, 1]

(stage directions)

2053

[Exeunt CORIOLANUS, COMINIUS, and others]

20

Coriolanus
[V, 1]

(stage directions)

3277

[Enter MENENIUS, COMINIUS, SICINIUS, BRUTUS,]
and others]

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