# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Hamlet
[III, 2]

Hamlet

1896

Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as
'twere, the mirror up to nature; to show Virtue her own feature,
scorn her own image, and the very age and body of the time his
form and pressure. Now this overdone, or come tardy off, though
it make the unskilful laugh, cannot but make the judicious
grieve; the censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be players that I
have seen play, and heard others praise, and that highly (not to
speak it profanely), that, neither having the accent of
Christians, nor the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of Nature's
journeymen had made men, and not made them well, they imitated
humanity so abominably.

2

Henry IV, Part I
[II, 3]

Hotspur (Henry Percy)

858

'But for mine own part, my lord, I could be well
contented to be there, in respect of the love I bear
your house.' He could be contented: why is he not,
then? In respect of the love he bears our house:
he shows in this, he loves his own barn better than
he loves our house. Let me see some more. 'The
purpose you undertake is dangerous;'—why, that's
certain: 'tis dangerous to take a cold, to sleep, to
drink; but I tell you, my lord fool, out of this
nettle, danger, we pluck this flower, safety. 'The
purpose you undertake is dangerous; the friends you
have named uncertain; the time itself unsorted; and
your whole plot too light for the counterpoise of so
great an opposition.' Say you so, say you so? I say
unto you again, you are a shallow cowardly hind, and
you lie. What a lack-brain is this! By the Lord,
our plot is a good plot as ever was laid; our
friends true and constant: a good plot, good
friends, and full of expectation; an excellent plot,
very good friends. What a frosty-spirited rogue is
this! Why, my lord of York commends the plot and the
general course of action. 'Zounds, an I were now by
this rascal, I could brain him with his lady's fan.
Is there not my father, my uncle and myself? lord
Edmund Mortimer, My lord of York and Owen Glendower?
is there not besides the Douglas? have I not all
their letters to meet me in arms by the ninth of the
next month? and are they not some of them set
forward already? What a pagan rascal is this! an
infidel! Ha! you shall see now in very sincerity
of fear and cold heart, will he to the king and lay
open all our proceedings. O, I could divide myself
and go to buffets, for moving such a dish of
skim milk with so honourable an action! Hang him!
let him tell the king: we are prepared. I will set
forward to-night.
[Enter LADY PERCY]
How now, Kate! I must leave you within these two hours.

3

Henry IV, Part II
[II, 2]

Henry V

1125

What pagan may that be?

4

Henry VIII
[I, 3]

Lord Chamberlain

584

Death! my lord,
Their clothes are after such a pagan cut too,
That, sure, they've worn out Christendom.
[Enter LOVELL]
How now!
What news, Sir Thomas Lovell?

5

King John
[V, 2]

Salisbury

2286

Upon our sides it never shall be broken.
And, noble Dauphin, albeit we swear
A voluntary zeal and an unurged faith
To your proceedings; yet believe me, prince,
I am not glad that such a sore of time
Should seek a plaster by contemn'd revolt,
And heal the inveterate canker of one wound
By making many. O, it grieves my soul,
That I must draw this metal from my side
To be a widow-maker! O, and there
Where honourable rescue and defence
Cries out upon the name of Salisbury!
But such is the infection of the time,
That, for the health and physic of our right,
We cannot deal but with the very hand
Of stern injustice and confused wrong.
And is't not pity, O my grieved friends,
That we, the sons and children of this isle,
Were born to see so sad an hour as this;
Wherein we step after a stranger march
Upon her gentle bosom, and fill up
Her enemies' ranks,—I must withdraw and weep
Upon the spot of this enforced cause,—
To grace the gentry of a land remote,
And follow unacquainted colours here?
What, here? O nation, that thou couldst remove!
That Neptune's arms, who clippeth thee about,
Would bear thee from the knowledge of thyself,
And grapple thee unto a pagan shore;
Where these two Christian armies might combine
The blood of malice in a vein of league,
And not to spend it so unneighbourly!

6

Merchant of Venice
[II, 3]

Launcelot Gobbo

785

Adieu! tears exhibit my tongue. Most beautiful
pagan, most sweet Jew! if a Christian did not play
the knave and get thee, I am much deceived. But,
adieu: these foolish drops do something drown my
manly spirit: adieu.