# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 2]

Iras

98

No, you shall paint when you are old.

2

Coriolanus
[V, 4]

Menenius Agrippa

3756

I paint him in the character. Mark what mercy his
mother shall bring from him: there is no more mercy
in him than there is milk in a male tiger; that
shall our poor city find: and all this is long of
you.

3

Hamlet
[V, 1]

Hamlet

3515

Let me see. [Takes the skull.] Alas, poor Yorick! I knew him,
Horatio. A fellow of infinite jest, of most excellent fancy. He
hath borne me on his back a thousand times. And now how abhorred
in my imagination it is! My gorge rises at it. Here hung those
lips that I have kiss'd I know not how oft. Where be your gibes
now? your gambols? your songs? your flashes of merriment that
were wont to set the table on a roar? Not one now, to mock your
own grinning? Quite chap- fall'n? Now get you to my lady's
chamber, and tell her, let her paint an inch thick, to this
favour she must come. Make her laugh at that. Prithee, Horatio,
tell me one thing.

4

Henry VI, Part I
[II, 4]

Duke/Earl of Somerset

972

Prick not your finger as you pluck it off,
Lest bleeding you do paint the white rose red
And fall on my side so, against your will.

5

King John
[III, 1]

King Phillip

1149

Good reverend father, make my person yours,
And tell me how you would bestow yourself.
This royal hand and mine are newly knit,
And the conjunction of our inward souls
Married in league, coupled and linked together
With all religious strength of sacred vows;
The latest breath that gave the sound of words
Was deep-sworn faith, peace, amity, true love
Between our kingdoms and our royal selves,
And even before this truce, but new before,
No longer than we well could wash our hands
To clap this royal bargain up of peace,
Heaven knows, they were besmear'd and over-stain'd
With slaughter's pencil, where revenge did paint
The fearful difference of incensed kings:
And shall these hands, so lately purged of blood,
So newly join'd in love, so strong in both,
Unyoke this seizure and this kind regreet?
Play fast and loose with faith? so jest with heaven,
Make such unconstant children of ourselves,
As now again to snatch our palm from palm,
Unswear faith sworn, and on the marriage-bed
Of smiling peace to march a bloody host,
And make a riot on the gentle brow
Of true sincerity? O, holy sir,
My reverend father, let it not be so!
Out of your grace, devise, ordain, impose
Some gentle order; and then we shall be blest
To do your pleasure and continue friends.

6

King John
[IV, 2]

Salisbury

1736

Therefore, to be possess'd with double pomp,
To guard a title that was rich before,
To gild refined gold, to paint the lily,
To throw a perfume on the violet,
To smooth the ice, or add another hue
Unto the rainbow, or with taper-light
To seek the beauteous eye of heaven to garnish,
Is wasteful and ridiculous excess.

7

Love's Labour's Lost
[IV, 1]

Princess of France

988

Nay, never paint me now:
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
Fair payment for foul words is more than due.

8

Love's Labour's Lost
[V, 2]

Don Adriano de Armado

2835

Holla! approach.
[Re-enter HOLOFERNES, SIR NATHANIEL, MOTH, COSTARD,]
and others]
This side is Hiems, Winter, this Ver, the Spring;
the one maintained by the owl, the other by the
cuckoo. Ver, begin.
[THE SONG]
SPRING.
When daisies pied and violets blue
And lady-smocks all silver-white
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he, . Cuckoo;
Cuckoo, cuckoo: O word of fear,
Unpleasing to a married ear!
When shepherds pipe on oaten straws
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks
The cuckoo then, on every tree,
Mocks married men; for thus sings he, . Cuckoo;
Cuckoo, cuckoo: O word of fear,
Unpleasing to a married ear!
WINTER.
When icicles hang by the wall
And Dick the shepherd blows his nail
And Tom bears logs into the hall
And milk comes frozen home in pail,
When blood is nipp'd and ways be foul,
Then nightly sings the staring owl, . Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doth blow
And coughing drowns the parson's saw
And birds sit brooding in the snow
And Marian's nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl, . Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.

9

Measure for Measure
[III, 2]

Lucio

1590

Does Bridget paint still, Pompey, ha?

10

Much Ado about Nothing
[III, 2]

Don Pedro

1249

Yea, or to paint himself? for the which, I hear
what they say of him.

11

Much Ado about Nothing
[III, 2]

Don John

1295

The word is too good to paint out her wickedness; I
could say she were worse: think you of a worse
title, and I will fit her to it. Wonder not till
further warrant: go but with me to-night, you shall
see her chamber-window entered, even the night
before her wedding-day: if you love her then,
to-morrow wed her; but it would better fit your honour
to change your mind.

12

Rape of Lucrece

Shakespeare

1123

'I will not poison thee with my attaint,
Nor fold my fault in cleanly-coin'd excuses;
My sable ground of sin I will not paint,
To hide the truth of this false night's abuses:
My tongue shall utter all; mine eyes, like sluices,
As from a mountain-spring that feeds a dale,
Shall gush pure streams to purge my impure tale.'

13

Taming of the Shrew
[I, 1]

Katherina

357

I' faith, sir, you shall never need to fear;
Iwis it is not halfway to her heart;
But if it were, doubt not her care should be
To comb your noddle with a three-legg'd stool,
And paint your face, and use you like a fool.

14

Timon of Athens
[IV, 3]

Timon

1727

I know thee too; and more than that I know thee,
I not desire to know. Follow thy drum;
With man's blood paint the ground, gules, gules:
Religious canons, civil laws are cruel;
Then what should war be? This fell whore of thine
Hath in her more destruction than thy sword,
For all her cherubim look.

15

Timon of Athens
[IV, 3]

Timon

1815

Enough to make a whore forswear her trade,
And to make whores, a bawd. Hold up, you sluts,
Your aprons mountant: you are not oathable,
Although, I know, you 'll swear, terribly swear
Into strong shudders and to heavenly agues
The immortal gods that hear you,—spare your oaths,
I'll trust to your conditions: be whores still;
And he whose pious breath seeks to convert you,
Be strong in whore, allure him, burn him up;
Let your close fire predominate his smoke,
And be no turncoats: yet may your pains, six months,
Be quite contrary: and thatch your poor thin roofs
With burthens of the dead;—some that were hang'd,
No matter:—wear them, betray with them: whore still;
Paint till a horse may mire upon your face,
A pox of wrinkles!

16

Timon of Athens
[V, 1]

Timon

2290

[Aside] Excellent workman! thou canst not paint a
man so bad as is thyself.

17

Troilus and Cressida
[I, 1]

Troilus

119

Peace, you ungracious clamours! peace, rude sounds!
Fools on both sides! Helen must needs be fair,
When with your blood you daily paint her thus.
I cannot fight upon this argument;
It is too starved a subject for my sword.
But Pandarus,—O gods, how do you plague me!
I cannot come to Cressid but by Pandar;
And he's as tetchy to be woo'd to woo.
As she is stubborn-chaste against all suit.
Tell me, Apollo, for thy Daphne's love,
What Cressid is, what Pandar, and what we?
Her bed is India; there she lies, a pearl:
Between our Ilium and where she resides,
Let it be call'd the wild and wandering flood,
Ourself the merchant, and this sailing Pandar
Our doubtful hope, our convoy and our bark.