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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 1] |
Lafeu |
77 |
Farewell, pretty lady: you must hold the credit of
your father.
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2 |
All's Well That Ends Well
[I, 1] |
Helena |
80 |
O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.
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3 |
All's Well That Ends Well
[I, 1] |
Helena |
166 |
Not my virginity yet [—]
There shall your master have a thousand loves,
A mother and a mistress and a friend,
A phoenix, captain and an enemy,
A guide, a goddess, and a sovereign,
A counsellor, a traitress, and a dear;
His humble ambition, proud humility,
His jarring concord, and his discord dulcet,
His faith, his sweet disaster; with a world
Of pretty, fond, adoptious christendoms,
That blinking Cupid gossips. Now shall he—
I know not what he shall. God send him well!
The court's a learning place, and he is one—
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4 |
All's Well That Ends Well
[II, 3] |
Lafeu |
1104 |
I did think thee, for two ordinaries, to be a pretty
wise fellow; thou didst make tolerable vent of thy
travel; it might pass: yet the scarfs and the
bannerets about thee did manifoldly dissuade me from
believing thee a vessel of too great a burthen. I
have now found thee; when I lose thee again, I care
not: yet art thou good for nothing but taking up; and
that thou't scarce worth.
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5 |
Antony and Cleopatra
[II, 2] |
Domitius Enobarus |
914 |
I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion—cloth-of-gold of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
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6 |
Antony and Cleopatra
[V, 2] |
Cleopatra |
3696 |
Avoid, and leave him.
[Exit Guardsman]
Hast thou the pretty worm of Nilus there,
That kills and pains not?
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7 |
As You Like It
[II, 4] |
Touchstone |
763 |
And I mine. I remember, when I was in love, I broke my
sword upon a stone, and bid him take that for coming a-night to
Jane Smile; and I remember the kissing of her batler, and the
cow's dugs that her pretty chapt hands had milk'd; and I remember
the wooing of peascod instead of her; from whom I took two cods,
and giving her them again, said with weeping tears 'Wear these
for my sake.' We that are true lovers run into strange capers;
but as all is mortal in nature, so is all nature in love mortal
in folly.
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8 |
As You Like It
[III, 2] |
Jaques (lord) |
1370 |
You are full of pretty answers. Have you not been
acquainted with goldsmiths' wives, and conn'd them out of rings?
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9 |
As You Like It
[III, 2] |
Orlando |
1425 |
Where dwell you, pretty youth?
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10 |
As You Like It
[III, 5] |
Phebe |
1659 |
I would not be thy executioner;
I fly thee, for I would not injure thee.
Thou tell'st me there is murder in mine eye.
'Tis pretty, sure, and very probable,
That eyes, that are the frail'st and softest things,
Who shut their coward gates on atomies,
Should be call'd tyrants, butchers, murderers!
Now I do frown on thee with all my heart;
And if mine eyes can wound, now let them kill thee.
Now counterfeit to swoon; why, now fall down;
Or, if thou canst not, O, for shame, for shame,
Lie not, to say mine eyes are murderers.
Now show the wound mine eye hath made in thee.
Scratch thee but with a pin, and there remains
Some scar of it; lean upon a rush,
The cicatrice and capable impressure
Thy palm some moment keeps; but now mine eyes,
Which I have darted at thee, hurt thee not;
Nor, I am sure, there is not force in eyes
That can do hurt.
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11 |
As You Like It
[III, 5] |
Phebe |
1764 |
Think not I love him, though I ask for him;
'Tis but a peevish boy; yet he talks well.
But what care I for words? Yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth- not very pretty;
But, sure, he's proud; and yet his pride becomes him.
He'll make a proper man. The best thing in him
Is his complexion; and faster than his tongue
Did make offence, his eye did heal it up.
He is not very tall; yet for his years he's tall;
His leg is but so-so; and yet 'tis well.
There was a pretty redness in his lip,
A little riper and more lusty red
Than that mix'd in his cheek; 'twas just the difference
Betwixt the constant red and mingled damask.
There be some women, Silvius, had they mark'd him
In parcels as I did, would have gone near
To fall in love with him; but, for my part,
I love him not, nor hate him not; and yet
I have more cause to hate him than to love him;
For what had he to do to chide at me?
He said mine eyes were black, and my hair black,
And, now I am rememb'red, scorn'd at me.
I marvel why I answer'd not again;
But that's all one: omittance is no quittance.
I'll write to him a very taunting letter,
And thou shalt bear it; wilt thou, Silvius?
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12 |
As You Like It
[IV, 1] |
Jaques (lord) |
1797 |
I prithee, pretty youth, let me be better acquainted with
thee.
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13 |
As You Like It
[IV, 1] |
Rosalind |
1954 |
By my troth, and in good earnest, and so God mend me, and
by all pretty oaths that are not dangerous, if you break one jot
of your promise, or come one minute behind your hour, I will
think you the most pathetical break-promise, and the most hollow
lover, and the most unworthy of her you call Rosalind, that may
be chosen out of the gross band of the unfaithful. Therefore
beware my censure, and keep your promise.
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14 |
As You Like It
[IV, 1] |
Rosalind |
1968 |
O coz, coz, coz, my pretty little coz, that thou didst
know how many fathom deep I am in love! But it cannot be sounded;
my affection hath an unknown bottom, like the Bay of Portugal.
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15 |
As You Like It
[V, 1] |
William |
2216 |
Ay, sir, I have a pretty wit.
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16 |
As You Like It
[V, 3] |
Second Page |
2373 |
I'faith, i'faith; and both in a tune, like two gipsies
on a horse.
SONG.
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding.
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
These pretty country folks would lie,
In the spring time, &c.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower,
In the spring time, &c.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crowned with the prime,
In the spring time, &c.
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17 |
Comedy of Errors
[I, 1] |
Aegeon |
33 |
A heavier task could not have been imposed
Than I to speak my griefs unspeakable:
Yet, that the world may witness that my end
Was wrought by nature, not by vile offence,
I'll utter what my sorrows give me leave.
In Syracusa was I born, and wed
Unto a woman, happy but for me,
And by me, had not our hap been bad.
With her I lived in joy; our wealth increased
By prosperous voyages I often made
To Epidamnum; till my factor's death
And the great care of goods at random left
Drew me from kind embracements of my spouse:
From whom my absence was not six months old
Before herself, almost at fainting under
The pleasing punishment that women bear,
Had made provision for her following me
And soon and safe arrived where I was.
There had she not been long, but she became
A joyful mother of two goodly sons;
And, which was strange, the one so like the other,
As could not be distinguish'd but by names.
That very hour, and in the self-same inn,
A meaner woman was delivered
Of such a burden, male twins, both alike:
Those,—for their parents were exceeding poor,—
I bought and brought up to attend my sons.
My wife, not meanly proud of two such boys,
Made daily motions for our home return:
Unwilling I agreed. Alas! too soon,
We came aboard.
A league from Epidamnum had we sail'd,
Before the always wind-obeying deep
Gave any tragic instance of our harm:
But longer did we not retain much hope;
For what obscured light the heavens did grant
Did but convey unto our fearful minds
A doubtful warrant of immediate death;
Which though myself would gladly have embraced,
Yet the incessant weepings of my wife,
Weeping before for what she saw must come,
And piteous plainings of the pretty babes,
That mourn'd for fashion, ignorant what to fear,
Forced me to seek delays for them and me.
And this it was, for other means was none:
The sailors sought for safety by our boat,
And left the ship, then sinking-ripe, to us:
My wife, more careful for the latter-born,
Had fasten'd him unto a small spare mast,
Such as seafaring men provide for storms;
To him one of the other twins was bound,
Whilst I had been like heedful of the other:
The children thus disposed, my wife and I,
Fixing our eyes on whom our care was fix'd,
Fasten'd ourselves at either end the mast;
And floating straight, obedient to the stream,
Was carried towards Corinth, as we thought.
At length the sun, gazing upon the earth,
Dispersed those vapours that offended us;
And by the benefit of his wished light,
The seas wax'd calm, and we discovered
Two ships from far making amain to us,
Of Corinth that, of Epidaurus this:
But ere they came,—O, let me say no more!
Gather the sequel by that went before.
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18 |
Comedy of Errors
[III, 1] |
Antipholus of Ephesus |
742 |
You have prevailed: I will depart in quiet,
And, in despite of mirth, mean to be merry.
I know a wench of excellent discourse,
Pretty and witty; wild, and yet, too, gentle:
There will we dine. This woman that I mean,
My wife—but, I protest, without desert—
Hath oftentimes upbraided me withal:
To her will we to dinner.
[To Angelo]
Get you home
And fetch the chain; by this I know 'tis made:
Bring it, I pray you, to the Porpentine;
For there's the house: that chain will I bestow—
Be it for nothing but to spite my wife—
Upon mine hostess there: good sir, make haste.
Since mine own doors refuse to entertain me,
I'll knock elsewhere, to see if they'll disdain me.
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19 |
Coriolanus
[I, 1] |
Menenius Agrippa |
79 |
Either you must
Confess yourselves wondrous malicious,
Or be accused of folly. I shall tell you
A pretty tale: it may be you have heard it;
But, since it serves my purpose, I will venture
To stale 't a little more.
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20 |
Coriolanus
[I, 3] |
Valeria |
422 |
O' my word, the father's son: I'll swear,'tis a
very pretty boy. O' my troth, I looked upon him o'
Wednesday half an hour together: has such a
confirmed countenance. I saw him run after a gilded
butterfly: and when he caught it, he let it go
again; and after it again; and over and over he
comes, and again; catched it again; or whether his
fall enraged him, or how 'twas, he did so set his
teeth and tear it; O, I warrant it, how he mammocked
it!
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