# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Countess

17

This young gentlewoman had a father,—O, that
'had'! how sad a passage 'tis!—whose skill was
almost as great as his honesty; had it stretched so
far, would have made nature immortal, and death
should have play for lack of work. Would, for the
king's sake, he were living! I think it would be
the death of the king's disease.

2

Antony and Cleopatra
[I, 3]

Cleopatra

297

See where he is, who's with him, what he does:
I did not send you: if you find him sad,
Say I am dancing; if in mirth, report
That I am sudden sick: quick, and return.

3

Antony and Cleopatra
[I, 5]

Cleopatra

579

What, was he sad or merry?

4

Antony and Cleopatra
[I, 5]

Alexas

580

Like to the time o' the year between the extremes
Of hot and cold, he was nor sad nor merry.

5

Antony and Cleopatra
[I, 5]

Cleopatra

582

O well-divided disposition! Note him,
Note him good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seem'd to tell them his remembrance lay
In Egypt with his joy; but between both:
O heavenly mingle! Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else. Met'st thou my posts?

6

Antony and Cleopatra
[III, 2]

Domitius Enobarus

1594

They have dispatch'd with Pompey, he is gone;
The other three are sealing. Octavia weeps
To part from Rome; Caesar is sad; and Lepidus,
Since Pompey's feast, as Menas says, is troubled
With the green sickness.

7

Antony and Cleopatra
[III, 11]

Antony

2118

I have fled myself; and have instructed cowards
To run and show their shoulders. Friends, be gone;
I have myself resolved upon a course
Which has no need of you; be gone:
My treasure's in the harbour, take it. O,
I follow'd that I blush to look upon:
My very hairs do mutiny; for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone: you shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness: take the hint
Which my despair proclaims; let that be left
Which leaves itself: to the sea-side straightway:
I will possess you of that ship and treasure.
Leave me, I pray, a little: pray you now:
Nay, do so; for, indeed, I have lost command,
Therefore I pray you: I'll see you by and by.
[Sits down]
[Enter CLEOPATRA led by CHARMIAN and IRAS; EROS]
following]

8

Antony and Cleopatra
[III, 13]

Antony

2467

I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.

9

Antony and Cleopatra
[V, 1]

Octavius

3310

Look you sad, friends?
The gods rebuke me, but it is tidings
To wash the eyes of kings.

10

As You Like It
[III, 2]

Celia

1237

'Why should this a desert be?
For it is unpeopled? No;
Tongues I'll hang on every tree
That shall civil sayings show.
Some, how brief the life of man
Runs his erring pilgrimage,
That the streching of a span
Buckles in his sum of age;
Some, of violated vows
'Twixt the souls of friend and friend;
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore heaven Nature charg'd
That one body should be fill'd
With all graces wide-enlarg'd.
Nature presently distill'd
Helen's cheek, but not her heart,
Cleopatra's majesty,
Atalanta's better part,
Sad Lucretia's modesty.
Thus Rosalinde of many parts
By heavenly synod was devis'd,
Of many faces, eyes, and hearts,
To have the touches dearest priz'd.
Heaven would that she these gifts should have,
And I to live and die her slave.'

11

As You Like It
[III, 2]

Rosalind

1317

Nay, but the devil take mocking! Speak sad brow and true
maid.

12

As You Like It
[IV, 1]

Jaques (lord)

1804

Why, 'tis good to be sad and say nothing.

13

As You Like It
[IV, 1]

Rosalind

1815

A traveller! By my faith, you have great reason to be
sad. I fear you have sold your own lands to see other men's; then
to have seen much and to have nothing is to have rich eyes and
poor hands.

14

As You Like It
[IV, 1]

Rosalind

1821

And your experience makes you sad. I had rather have a
fool to make me merry than experience to make me sad- and to
travel for it too.

15

Comedy of Errors
[I, 1]

Aegeon

100

O, had the gods done so, I had not now
Worthily term'd them merciless to us!
For, ere the ships could meet by twice five leagues,
We were encounterd by a mighty rock;
Which being violently borne upon,
Our helpful ship was splitted in the midst;
So that, in this unjust divorce of us,
Fortune had left to both of us alike
What to delight in, what to sorrow for.
Her part, poor soul! seeming as burdened
With lesser weight but not with lesser woe,
Was carried with more speed before the wind;
And in our sight they three were taken up
By fishermen of Corinth, as we thought.
At length, another ship had seized on us;
And, knowing whom it was their hap to save,
Gave healthful welcome to their shipwreck'd guests;
And would have reft the fishers of their prey,
Had not their bark been very slow of sail;
And therefore homeward did they bend their course.
Thus have you heard me sever'd from my bliss;
That by misfortunes was my life prolong'd,
To tell sad stories of my own mishaps.

16

Comedy of Errors
[III, 1]

Antipholus of Ephesus

631

You're sad, Signior Balthazar: pray God our cheer
May answer my good will and your good welcome here.

17

Comedy of Errors
[IV, 2]

Adriana

1072

Ah, Luciana, did he tempt thee so?
Mightst thou perceive austerely in his eye
That he did plead in earnest? yea or no?
Look'd he or red or pale, or sad or merrily?
What observation madest thou in this case
Of his heart's meteors tilting in his face?

18

Comedy of Errors
[V, 1]

Adriana

1474

This week he hath been heavy, sour, sad,
And much different from the man he was;
But till this afternoon his passion
Ne'er brake into extremity of rage.

19

Coriolanus
[IV, 3]

Coriolanus

2537

What, what, what!
I shall be loved when I am lack'd. Nay, mother.
Resume that spirit, when you were wont to say,
If you had been the wife of Hercules,
Six of his labours you'ld have done, and saved
Your husband so much sweat. Cominius,
Droop not; adieu. Farewell, my wife, my mother:
I'll do well yet. Thou old and true Menenius,
Thy tears are salter than a younger man's,
And venomous to thine eyes. My sometime general,
I have seen thee stem, and thou hast oft beheld
Heart-hardening spectacles; tell these sad women
'Tis fond to wail inevitable strokes,
As 'tis to laugh at 'em. My mother, you wot well
My hazards still have been your solace: and
Believe't not lightly—though I go alone,
Like to a lonely dragon, that his fen
Makes fear'd and talk'd of more than seen—your son
Will or exceed the common or be caught
With cautelous baits and practise.

20

Cymbeline
[I, 6]

Iachimo

678

I never saw him sad.
There is a Frenchman his companion, one
An eminent monsieur, that, it seems, much loves
A Gallian girl at home; he furnaces
The thick sighs from him, whiles the jolly Briton—
Your lord, I mean—laughs from's free lungs, cries 'O,
Can my sides hold, to think that man, who knows
By history, report, or his own proof,
What woman is, yea, what she cannot choose
But must be, will his free hours languish for
Assured bondage?'