# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 5]

Queen

550

Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
[The QUEEN drops the box: PISANIO takes it up]
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
[Exit PISANIO]
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The hand-fast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
[Re-enter PISANIO and Ladies]
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.

2

Henry VIII
[V, 3]

Henry VIII

3200

You were ever good at sudden commendations,
Bishop of Winchester. But know, I come not
To hear such flattery now, and in my presence;
They are too thin and bare to hide offences.
To me you cannot reach, you play the spaniel,
And think with wagging of your tongue to win me;
But, whatsoe'er thou takest me for, I'm sure
Thou hast a cruel nature and a bloody.
[To CRANMER]
Good man, sit down. Now let me see the proudest
He, that dares most, but wag his finger at thee:
By all that's holy, he had better starve
Than but once think this place becomes thee not.

3

Measure for Measure
[IV, 3]

Lucio

2291

Friar, thou knowest not the duke so well as I do:
he's a better woodman than thou takest him for.

4

Midsummer Night's Dream
[III, 2]

Puck

1524

On the ground
Sleep sound:
I'll apply
To your eye,
Gentle lover, remedy.
[Squeezing the juice on LYSANDER's eyes]
When thou wakest,
Thou takest
True delight
In the sight
Of thy former lady's eye:
And the country proverb known,
That every man should take his own,
In your waking shall be shown:
Jack shall have Jill;
Nought shall go ill;
The man shall have his mare again, and all shall be well.

5

Phoenix and the Turtle

Shakespeare

17

And thou treble-dated crow,
That thy sable gender makest
With the breath thou givest and takest,
'Mongst our mourners shalt thou go.

6

Richard II
[I, 3]

John of Gaunt

563

Call it a travel that thou takest for pleasure.

7

Richard II
[V, 1]

King Richard II

2369

A king of beasts, indeed; if aught but beasts,
I had been still a happy king of men.
Good sometime queen, prepare thee hence for France:
Think I am dead and that even here thou takest,
As from my death-bed, thy last living leave.
In winter's tedious nights sit by the fire
With good old folks and let them tell thee tales
Of woeful ages long ago betid;
And ere thou bid good night, to quit their griefs,
Tell thou the lamentable tale of me
And send the hearers weeping to their beds:
For why, the senseless brands will sympathize
The heavy accent of thy moving tongue
And in compassion weep the fire out;
And some will mourn in ashes, some coal-black,
For the deposing of a rightful king.

8

Richard III
[IV, 1]

Lady Anne

2561

Adieu, poor soul, that takest thy leave of it!

9

Tempest
[I, 2]

Caliban

481

I must eat my dinner.
This island's mine, by Sycorax my mother,
Which thou takest from me. When thou camest first,
Thou strokedst me and madest much of me, wouldst give me
Water with berries in't, and teach me how
To name the bigger light, and how the less,
That burn by day and night: and then I loved thee
And show'd thee all the qualities o' the isle,
The fresh springs, brine-pits, barren place and fertile:
Cursed be I that did so! All the charms
Of Sycorax, toads, beetles, bats, light on you!
For I am all the subjects that you have,
Which first was mine own king: and here you sty me
In this hard rock, whiles you do keep from me
The rest o' the island.

10

Winter's Tale
[I, 2]

Leontes

342

To bide upon't, thou art not honest, or,
If thou inclinest that way, thou art a coward,
Which hoxes honesty behind, restraining
From course required; or else thou must be counted
A servant grafted in my serious trust
And therein negligent; or else a fool
That seest a game play'd home, the rich stake drawn,
And takest it all for jest.

11

Winter's Tale
[II, 3]

Paulina

1023

For ever
Unvenerable be thy hands, if thou
Takest up the princess by that forced baseness
Which he has put upon't!