# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 3]

Parolles

2287

In good sadness, I do not know; either it is there,
or it is upon a file with the duke's other letters
in my tent.

2

Antony and Cleopatra
[IV, 6]

Soldier

2730

Enobarbus, Antony
Hath after thee sent all thy treasure, with
His bounty overplus: the messenger
Came on my guard; and at thy tent is now
Unloading of his mules.

3

Antony and Cleopatra
[V, 1]

Octavius

3368

Let him alone, for I remember now
How he's employ'd: he shall in time be ready.
Go with me to my tent; where you shall see
How hardly I was drawn into this war;
How calm and gentle I proceeded still
In all my writings: go with me, and see
What I can show in this.

4

Coriolanus
[I, 9]

Cominius

798

Should they not,
Well might they fester 'gainst ingratitude,
And tent themselves with death. Of all the horses,
Whereof we have ta'en good and good store, of all
The treasure in this field achieved and city,
We render you the tenth, to be ta'en forth,
Before the common distribution, at
Your only choice.

5

Coriolanus
[I, 9]

Cominius

849

So, to our tent;
Where, ere we do repose us, we will write
To Rome of our success. You, Titus TITUS,
Must to Corioli back: send us to Rome
The best, with whom we may articulate,
For their own good and ours.

6

Coriolanus
[I, 9]

Cominius

873

Go we to our tent:
The blood upon your visage dries; 'tis time
It should be look'd to: come.

7

Coriolanus
[III, 1]

Menenius Agrippa

2028

For 'tis a sore upon us,
You cannot tent yourself: be gone, beseech you.

8

Coriolanus
[III, 2]

Coriolanus

2298

Well, I must do't:
Away, my disposition, and possess me
Some harlot's spirit! my throat of war be turn'd,
Which quired with my drum, into a pipe
Small as an eunuch, or the virgin voice
That babies lulls asleep! the smiles of knaves
Tent in my cheeks, and schoolboys' tears take up
The glasses of my sight! a beggar's tongue
Make motion through my lips, and my arm'd knees,
Who bow'd but in my stirrup, bend like his
That hath received an alms! I will not do't,
Lest I surcease to honour mine own truth
And by my body's action teach my mind
A most inherent baseness.

9

Coriolanus
[V, 1]

Menenius Agrippa

3279

No, I'll not go: you hear what he hath said
Which was sometime his general; who loved him
In a most dear particular. He call'd me father:
But what o' that? Go, you that banish'd him;
A mile before his tent fall down, and knee
The way into his mercy: nay, if he coy'd
To hear Cominius speak, I'll keep at home.

10

Cymbeline
[III, 4]

Imogen

1844

Talk thy tongue weary; speak
I have heard I am a strumpet; and mine ear
Therein false struck, can take no greater wound,
Nor tent to bottom that. But speak.

11

Hamlet
[II, 2]

Hamlet

1620

Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern]
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.

12

Henry IV, Part I
[V, 4]

Henry IV

2956

I will do so.
My Lord of Westmoreland, lead him to his tent.

13

Henry IV, Part I
[V, 4]

Earl of Westmoreland

2958

Come, my lord, I'll lead you to your tent.

14

Henry IV, Part I
[V, 5]

Henry V

3159

The noble Scot, Lord Douglas, when he saw
The fortune of the day quite turn'd from him,
The noble Percy slain, and all his men
Upon the foot of fear, fled with the rest;
And falling from a hill, he was so bruised
That the pursuers took him. At my tent
The Douglas is; and I beseech your grace
I may dispose of him.

15

Henry V
[III, 7]

Rambures

1706

My lord constable, the armour that I saw in your tent
to-night, are those stars or suns upon it?

16

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

17

Henry V
[IV, 1]

Henry V

2134

Good old knight,
Collect them all together at my tent:
I'll be before thee.

18

Henry V
[IV, 7]

Gower

2523

'Tis certain there's not a boy left alive; and the
cowardly rascals that ran from the battle ha' done
this slaughter: besides, they have burned and
carried away all that was in the king's tent;
wherefore the king, most worthily, hath caused every
soldier to cut his prisoner's throat. O, 'tis a
gallant king!

19

Henry V
[IV, 7]

Henry V

2688

Pray thee, go seek him, and bring him to my tent.

20

Henry VI, Part I
[I, 4]

Lord Talbot/Earl of Shrewsbury

567

Hear, hear how dying Salisbury doth groan!
It irks his heart he cannot be revenged.
Frenchmen, I'll be a Salisbury to you:
Pucelle or puzzel, dolphin or dogfish,
Your hearts I'll stamp out with my horse's heels,
And make a quagmire of your mingled brains.
Convey me Salisbury into his tent,
And then we'll try what these dastard Frenchmen dare.