# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 1]

Second Gentleman

29

You speak him far.

2

Cymbeline
[I, 1]

Queen

96

You know the peril.
I'll fetch a turn about the garden, pitying
The pangs of barr'd affections, though the king
Hath charged you should not speak together.

3

Cymbeline
[I, 1]

Imogen

230

About some half-hour hence,
I pray you, speak with me: you shall at least
Go see my lord aboard: for this time leave me.

4

Cymbeline
[I, 4]

Philario

329

You speak of him when he was less furnished than now
he is with that which makes him both without and within.

5

Cymbeline
[I, 6]

Iachimo

711

That others do—
I was about to say—enjoy your—But
It is an office of the gods to venge it,
Not mine to speak on 't.

6

Cymbeline
[II, 3]

Cloten

1049

If she be up, I'll speak with her; if not,
Let her lie still and dream.
[Knocks]
By your leave, ho!
I Know her women are about her: what
If I do line one of their hands? 'Tis gold
Which buys admittance; oft it doth; yea, and makes
Diana's rangers false themselves, yield up
Their deer to the stand o' the stealer; and 'tis gold
Which makes the true man kill'd and saves the thief;
Nay, sometime hangs both thief and true man: what
Can it not do and undo? I will make
One of her women lawyer to me, for
I yet not understand the case myself.
[Knocks]
By your leave.

7

Cymbeline
[II, 3]

Imogen

1092

But that you shall not say I yield being silent,
I would not speak. I pray you, spare me: 'faith,
I shall unfold equal discourtesy
To your best kindness: one of your great knowing
Should learn, being taught, forbearance.

8

Cymbeline
[III, 1]

Caius Lucius

1494

Let proof speak.

9

Cymbeline
[III, 2]

Imogen

1535

Who? thy lord? that is my lord, Leonatus!
O, learn'd indeed were that astronomer
That knew the stars as I his characters;
He'ld lay the future open. You good gods,
Let what is here contain'd relish of love,
Of my lord's health, of his content, yet not
That we two are asunder; let that grieve him:
Some griefs are med'cinable; that is one of them,
For it doth physic love: of his content,
All but in that! Good wax, thy leave. Blest be
You bees that make these locks of counsel! Lovers
And men in dangerous bonds pray not alike:
Though forfeiters you cast in prison, yet
You clasp young Cupid's tables. Good news, gods!
[Reads]
'Justice, and your father's wrath, should he take me
in his dominion, could not be so cruel to me, as
you, O the dearest of creatures, would even renew me
with your eyes. Take notice that I am in Cambria,
at Milford-Haven: what your own love will out of
this advise you, follow. So he wishes you all
happiness, that remains loyal to his vow, and your,
increasing in love,
LEONATUS POSTHUMUS.'
O, for a horse with wings! Hear'st thou, Pisanio?
He is at Milford-Haven: read, and tell me
How far 'tis thither. If one of mean affairs
May plod it in a week, why may not I
Glide thither in a day? Then, true Pisanio,—
Who long'st, like me, to see thy lord; who long'st,—
let me bate,-but not like me—yet long'st,
But in a fainter kind:—O, not like me;
For mine's beyond beyond—say, and speak thick;
Love's counsellor should fill the bores of hearing,
To the smothering of the sense—how far it is
To this same blessed Milford: and by the way
Tell me how Wales was made so happy as
To inherit such a haven: but first of all,
How we may steal from hence, and for the gap
That we shall make in time, from our hence-going
And our return, to excuse: but first, how get hence:
Why should excuse be born or e'er begot?
We'll talk of that hereafter. Prithee, speak,
How many score of miles may we well ride
'Twixt hour and hour?

10

Cymbeline
[III, 3]

Guiderius

1630

Out of your proof you speak: we, poor unfledged,
Have never wing'd from view o' the nest, nor know not
What air's from home. Haply this life is best,
If quiet life be best; sweeter to you
That have a sharper known; well corresponding
With your stiff age: but unto us it is
A cell of ignorance; travelling a-bed;
A prison for a debtor, that not dares
To stride a limit.

11

Cymbeline
[III, 3]

Arviragus

1639

What should we speak of
When we are old as you? when we shall hear
The rain and wind beat dark December, how,
In this our pinching cave, shall we discourse
The freezing hours away? We have seen nothing;
We are beastly, subtle as the fox for prey,
Like warlike as the wolf for what we eat;
Our valour is to chase what flies; our cage
We make a quire, as doth the prison'd bird,
And sing our bondage freely.

12

Cymbeline
[III, 3]

Belarius

1649

How you speak!
Did you but know the city's usuries
And felt them knowingly; the art o' the court
As hard to leave as keep; whose top to climb
Is certain falling, or so slippery that
The fear's as bad as falling; the toil o' the war,
A pain that only seems to seek out danger
I' the name of fame and honour; which dies i'
the search,
And hath as oft a slanderous epitaph
As record of fair act; nay, many times,
Doth ill deserve by doing well; what's worse,
Must court'sy at the censure:—O boys, this story
The world may read in me: my body's mark'd
With Roman swords, and my report was once
First with the best of note: Cymbeline loved me,
And when a soldier was the theme, my name
Was not far off: then was I as a tree
Whose boughs did bend with fruit: but in one night,
A storm or robbery, call it what you will,
Shook down my mellow hangings, nay, my leaves,
And left me bare to weather.

13

Cymbeline
[III, 4]

Imogen

1720

Thou told'st me, when we came from horse, the place
Was near at hand: ne'er long'd my mother so
To see me first, as I have now. Pisanio! man!
Where is Posthumus? What is in thy mind,
That makes thee stare thus? Wherefore breaks that sigh
From the inward of thee? One, but painted thus,
Would be interpreted a thing perplex'd
Beyond self-explication: put thyself
Into a havior of less fear, ere wildness
Vanquish my staider senses. What's the matter?
Why tender'st thou that paper to me, with
A look untender? If't be summer news,
Smile to't before; if winterly, thou need'st
But keep that countenance still. My husband's hand!
That drug-damn'd Italy hath out-craftied him,
And he's at some hard point. Speak, man: thy tongue
May take off some extremity, which to read
Would be even mortal to me.

14

Cymbeline
[III, 4]

Imogen

1741

[Reads] 'Thy mistress, Pisanio, hath played the
strumpet in my bed; the testimonies whereof lie
bleeding in me. I speak not out of weak surmises,
but from proof as strong as my grief and as certain
as I expect my revenge. That part thou, Pisanio,
must act for me, if thy faith be not tainted with
the breach of hers. Let thine own hands take away
her life: I shall give thee opportunity at
Milford-Haven. She hath my letter for the purpose
where, if thou fear to strike and to make me certain
it is done, thou art the pandar to her dishonour and
equally to me disloyal.'

15

Cymbeline
[III, 4]

Imogen

1844

Talk thy tongue weary; speak
I have heard I am a strumpet; and mine ear
Therein false struck, can take no greater wound,
Nor tent to bottom that. But speak.

16

Cymbeline
[III, 5]

Cloten

2065

All-worthy villain!
Discover where thy mistress is at once,
At the next word: no more of 'worthy lord!'
Speak, or thy silence on the instant is
Thy condemnation and thy death.

17

Cymbeline
[III, 6]

Imogen

2144

I see a man's life is a tedious one:
I have tired myself, and for two nights together
Have made the ground my bed. I should be sick,
But that my resolution helps me. Milford,
When from the mountain-top Pisanio show'd thee,
Thou wast within a ken: O Jove! I think
Foundations fly the wretched; such, I mean,
Where they should be relieved. Two beggars told me
I could not miss my way: will poor folks lie,
That have afflictions on them, knowing 'tis
A punishment or trial? Yes; no wonder,
When rich ones scarce tell true. To lapse in fulness
Is sorer than to lie for need, and falsehood
Is worse in kings than beggars. My dear lord!
Thou art one o' the false ones. Now I think on thee,
My hunger's gone; but even before, I was
At point to sink for food. But what is this?
Here is a path to't: 'tis some savage hold:
I were best not to call; I dare not call:
yet famine,
Ere clean it o'erthrow nature, makes it valiant,
Plenty and peace breeds cowards: hardness ever
Of hardiness is mother. Ho! who's here?
If any thing that's civil, speak; if savage,
Take or lend. Ho! No answer? Then I'll enter.
Best draw my sword: and if mine enemy
But fear the sword like me, he'll scarcely look on't.
Such a foe, good heavens!

18

Cymbeline
[III, 6]

Belarius

2254

It shall be so.
Boys, we'll go dress our hunt. Fair youth, come in:
Discourse is heavy, fasting; when we have supp'd,
We'll mannerly demand thee of thy story,
So far as thou wilt speak it.

19

Cymbeline
[IV, 1]

Cloten

2287

I am near to the place where they should meet, if
Pisanio have mapped it truly. How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for 'tis said
a woman's fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations. My
horse is tied up safe: out, sword, and to a sore
purpose! Fortune, put them into my hand! This is
the very description of their meeting-place; and
the fellow dares not deceive me.

20

Cymbeline
[IV, 2]

Guiderius

2566

What does he mean? since death of my dear'st mother
it did not speak before. All solemn things
Should answer solemn accidents. The matter?
Triumphs for nothing and lamenting toys
Is jollity for apes and grief for boys.
Is Cadwal mad?