# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Measure for Measure
[I, 1]

Vincentio

72

My haste may not admit it;
Nor need you, on mine honour, have to do
With any scruple; your scope is as mine own
So to enforce or qualify the laws
As to your soul seems good. Give me your hand:
I'll privily away. I love the people,
But do not like to stage me to their eyes:
Through it do well, I do not relish well
Their loud applause and Aves vehement;
Nor do I think the man of safe discretion
That does affect it. Once more, fare you well.

2

Measure for Measure
[II, 1]

Pompey

673

Does your worship mean to geld and splay all the
youth of the city?

3

Measure for Measure
[II, 2]

Isabella

814

Too late? why, no; I, that do speak a word.
May call it back again. Well, believe this,
No ceremony that to great ones 'longs,
Not the king's crown, nor the deputed sword,
The marshal's truncheon, nor the judge's robe,
Become them with one half so good a grace
As mercy does.
If he had been as you and you as he,
You would have slipt like him; but he, like you,
Would not have been so stern.

4

Measure for Measure
[II, 2]

Isabella

875

Could great men thunder
As Jove himself does, Jove would ne'er be quiet,
For every pelting, petty officer
Would use his heaven for thunder;
Nothing but thunder! Merciful Heaven,
Thou rather with thy sharp and sulphurous bolt
Split'st the unwedgeable and gnarled oak
Than the soft myrtle: but man, proud man,
Drest in a little brief authority,
Most ignorant of what he's most assured,
His glassy essence, like an angry ape,
Plays such fantastic tricks before high heaven
As make the angels weep; who, with our spleens,
Would all themselves laugh mortal.

5

Measure for Measure
[II, 2]

Angelo

935

From thee, even from thy virtue!
What's this, what's this? Is this her fault or mine?
The tempter or the tempted, who sins most?
Ha!
Not she: nor doth she tempt: but it is I
That, lying by the violet in the sun,
Do as the carrion does, not as the flower,
Corrupt with virtuous season. Can it be
That modesty may more betray our sense
Than woman's lightness? Having waste ground enough,
Shall we desire to raze the sanctuary
And pitch our evils there? O, fie, fie, fie!
What dost thou, or what art thou, Angelo?
Dost thou desire her foully for those things
That make her good? O, let her brother live!
Thieves for their robbery have authority
When judges steal themselves. What, do I love her,
That I desire to hear her speak again,
And feast upon her eyes? What is't I dream on?
O cunning enemy, that, to catch a saint,
With saints dost bait thy hook! Most dangerous
Is that temptation that doth goad us on
To sin in loving virtue: never could the strumpet,
With all her double vigour, art and nature,
Once stir my temper; but this virtuous maid
Subdues me quite. Even till now,
When men were fond, I smiled and wonder'd how.

6

Measure for Measure
[II, 4]

Angelo

1037

Teach her the way.
[Exit Servant]
O heavens!
Why does my blood thus muster to my heart,
Making both it unable for itself,
And dispossessing all my other parts
Of necessary fitness?
So play the foolish throngs with one that swoons;
Come all to help him, and so stop the air
By which he should revive: and even so
The general, subject to a well-wish'd king,
Quit their own part, and in obsequious fondness
Crowd to his presence, where their untaught love
Must needs appear offence.
[Enter ISABELLA]
How now, fair maid?

7

Measure for Measure
[III, 2]

Pompey

1539

Indeed, it does stink in some sort, sir; but yet,
sir, I would prove—

8

Measure for Measure
[III, 2]

Lucio

1590

Does Bridget paint still, Pompey, ha?

9

Measure for Measure
[III, 2]

Vincentio

1607

He does well in 't.