# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Hamlet
[V, 1]

First Clown

3354

It must be se offendendo; it cannot be else. For here lies
the point: if I drown myself wittingly, it argues an act; and an
act hath three branches-it is to act, to do, and to perform;
argal, she drown'd herself wittingly.

2

Henry IV, Part II
[IV, 1]

Earl of Westmoreland

2366

That argues but the shame of your offence:
A rotten case abides no handling.

3

Henry VI, Part I
[V, 3]

Joan la Pucelle

2447

The regent conquers, and the Frenchmen fly.
Now help, ye charming spells and periapts;
And ye choice spirits that admonish me
And give me signs of future accidents.
[Thunder]
You speedy helpers, that are substitutes
Under the lordly monarch of the north,
Appear and aid me in this enterprise.
[Enter Fiends]
This speedy and quick appearance argues proof
Of your accustom'd diligence to me.
Now, ye familiar spirits, that are cull'd
Out of the powerful regions under earth,
Help me this once, that France may get the field.
[They walk, and speak not]
O, hold me not with silence over-long!
Where I was wont to feed you with my blood,
I'll lop a member off and give it you
In earnest of further benefit,
So you do condescend to help me now.
[They hang their heads]
No hope to have redress? My body shall
Pay recompense, if you will grant my suit.
[They shake their heads]
Cannot my body nor blood-sacrifice
Entreat you to your wonted furtherance?
Then take my soul, my body, soul and all,
Before that England give the French the foil.
[They depart]
See, they forsake me! Now the time is come
That France must vail her lofty-plumed crest
And let her head fall into England's lap.
My ancient incantations are too weak,
And hell too strong for me to buckle with:
Now, France, thy glory droopeth to the dust.
[Exit]
[Excursions. Re-enter JOAN LA PUCELLE fighting hand]
to hand with YORK. JOAN LA PUCELLE is taken. The
French fly]

4

Henry VI, Part I
[V, 4]

Richard Plantagenet (Duke of Gloucester)

2685

This argues what her kind of life hath been,
Wicked and vile; and so her death concludes.

5

Henry VI, Part II
[III, 3]

Earl of Warwick

2144

So bad a death argues a monstrous life.

6

Love's Labour's Lost
[IV, 2]

Holofernes

1199

I will something affect the letter, for it argues facility.
The preyful princess pierced and prick'd a pretty
pleasing pricket;
Some say a sore; but not a sore, till now made
sore with shooting.
The dogs did yell: put L to sore, then sorel jumps
from thicket;
Or pricket sore, or else sorel; the people fall a-hooting.
If sore be sore, then L to sore makes fifty sores
one sorel.
Of one sore I an hundred make by adding but one more L.

7

Othello
[III, 4]

Othello

2215

This argues fruitfulness and liberal heart:
Hot, hot, and moist: this hand of yours requires
A sequester from liberty, fasting and prayer,
Much castigation, exercise devout;
For here's a young and sweating devil here,
That commonly rebels. 'Tis a good hand,
A frank one.

8

Richard III
[III, 7]

Duke of Buckingham

2225

No, so God help me, they spake not a word;
But, like dumb statues or breathing stones,
Gazed each on other, and look'd deadly pale.
Which when I saw, I reprehended them;
And ask'd the mayor what meant this wilful silence:
His answer was, the people were not wont
To be spoke to but by the recorder.
Then he was urged to tell my tale again,
'Thus saith the duke, thus hath the duke inferr'd;'
But nothing spake in warrant from himself.
When he had done, some followers of mine own,
At the lower end of the hall, hurl'd up their caps,
And some ten voices cried 'God save King Richard!'
And thus I took the vantage of those few,
'Thanks, gentle citizens and friends,' quoth I;
'This general applause and loving shout
Argues your wisdoms and your love to Richard:'
And even here brake off, and came away.

9

Richard III
[III, 7]

Duke of Buckingham

2385

My lord, this argues conscience in your grace;
But the respects thereof are nice and trivial,
All circumstances well considered.
You say that Edward is your brother's son:
So say we too, but not by Edward's wife;
For first he was contract to Lady Lucy—
Your mother lives a witness to that vow—
And afterward by substitute betroth'd
To Bona, sister to the King of France.
These both put by a poor petitioner,
A care-crazed mother of a many children,
A beauty-waning and distressed widow,
Even in the afternoon of her best days,
Made prize and purchase of his lustful eye,
Seduced the pitch and height of all his thoughts
To base declension and loathed bigamy
By her, in his unlawful bed, he got
This Edward, whom our manners term the prince.
More bitterly could I expostulate,
Save that, for reverence to some alive,
I give a sparing limit to my tongue.
Then, good my lord, take to your royal self
This proffer'd benefit of dignity;
If non to bless us and the land withal,
Yet to draw forth your noble ancestry
From the corruption of abusing times,
Unto a lineal true-derived course.

10

Romeo and Juliet
[II, 3]

Friar Laurence

1091

Benedicite!
What early tongue so sweet saluteth me?
Young son, it argues a distemper'd head
So soon to bid good morrow to thy bed:
Care keeps his watch in every old man's eye,
And where care lodges, sleep will never lie;
But where unbruised youth with unstuff'd brain
Doth couch his limbs, there golden sleep doth reign:
Therefore thy earliness doth me assure
Thou art up-roused by some distemperature;
Or if not so, then here I hit it right,
Our Romeo hath not been in bed to-night.

11

Timon of Athens
[V, 1]

Painter

2281

Good as the best. Promising is the very air o' the
time: it opens the eyes of expectation:
performance is ever the duller for his act; and,
but in the plainer and simpler kind of people, the
deed of saying is quite out of use. To promise is
most courtly and fashionable: performance is a kind
of will or testament which argues a great sickness
in his judgment that makes it.