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Where's my serpent of old Nile?

      — Antony and Cleopatra, Act I Scene 5

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KEYWORD: dismal

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

All's Well That Ends Well
[V, 3]

King of France

2822

I am wrapp'd in dismal thinkings.

2

Hamlet
[II, 2]

Hamlet

1512

I heard thee speak me a speech once, but it was never acted;
or if it was, not above once; for the play, I remember, pleas'd
not the million, 'twas caviary to the general; but it was (as I
receiv'd it, and others, whose judgments in such matters cried in
the top of mine) an excellent play, well digested in the scenes,
set down with as much modesty as cunning. I remember one said
there were no sallets in the lines to make the matter savoury,
nor no matter in the phrase that might indict the author of
affectation; but call'd it an honest method, as wholesome as
sweet, and by very much more handsome than fine. One speech in't
I chiefly lov'd. 'Twas AEneas' tale to Dido, and thereabout of it
especially where he speaks of Priam's slaughter. If it live in
your memory, begin at this line- let me see, let me see:
'The rugged Pyrrhus, like th' Hyrcanian beast-'
'Tis not so; it begins with Pyrrhus:
'The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal. Head to foot
Now is be total gules, horridly trick'd
With blood of fathers, mothers, daughters, sons,
Bak'd and impasted with the parching streets,
That lend a tyrannous and a damned light
To their lord's murther. Roasted in wrath and fire,
And thus o'ersized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.'
So, proceed you.

3

Hamlet
[V, 2]

Ambassador

4033

The sight is dismal;
And our affairs from England come too late.
The ears are senseless that should give us hearing
To tell him his commandment is fulfill'd
That Rosencrantz and Guildenstern are dead.
Where should we have our thanks?

4

Henry VI, Part I
[I, 1]

Messenger

110

My gracious lords, to add to your laments,
Wherewith you now bedew King Henry's hearse,
I must inform you of a dismal fight
Betwixt the stout Lord Talbot and the French.

5

Henry VI, Part II
[III, 2]

Henry VI

1720

What, doth my Lord of Suffolk comfort me?
Came he right now to sing a raven's note,
Whose dismal tune bereft my vital powers;
And thinks he that the chirping of a wren,
By crying comfort from a hollow breast,
Can chase away the first-conceived sound?
Hide not thy poison with such sugar'd words;
Lay not thy hands on me; forbear, I say;
Their touch affrights me as a serpent's sting.
Thou baleful messenger, out of my sight!
Upon thy eye-balls murderous tyranny
Sits in grim majesty, to fright the world.
Look not upon me, for thine eyes are wounding:
Yet do not go away: come, basilisk,
And kill the innocent gazer with thy sight;
For in the shade of death I shall find joy;
In life but double death, now Gloucester's dead.

6

Henry VI, Part III
[II, 3]

Richard III (Duke of Gloucester)

1042

Ah, Warwick, why hast thou withdrawn thyself?
Thy brother's blood the thirsty earth hath drunk,
Broach'd with the steely point of Clifford's lance;
And in the very pangs of death he cried,
Like to a dismal clangour heard from far,
'Warwick, revenge! brother, revenge my death!'
So, underneath the belly of their steeds,
That stain'd their fetlocks in his smoking blood,
The noble gentleman gave up the ghost.

7

Henry VI, Part III
[II, 6]

King Edward IV (Plantagenet)

1309

Bring forth that fatal screech-owl to our house,
That nothing sung but death to us and ours:
Now death shall stop his dismal threatening sound,
And his ill-boding tongue no more shall speak.

8

Henry VI, Part III
[V, 6]

Henry VI

3030

Hadst thou been kill'd when first thou didst presume,
Thou hadst not lived to kill a son of mine.
And thus I prophesy, that many a thousand,
Which now mistrust no parcel of my fear,
And many an old man's sigh and many a widow's,
And many an orphan's water-standing eye—
Men for their sons, wives for their husbands,
And orphans for their parents timeless death—
Shall rue the hour that ever thou wast born.
The owl shriek'd at thy birth,—an evil sign;
The night-crow cried, aboding luckless time;
Dogs howl'd, and hideous tempest shook down trees;
The raven rook'd her on the chimney's top,
And chattering pies in dismal discords sung.
Thy mother felt more than a mother's pain,
And, yet brought forth less than a mother's hope,
To wit, an indigested and deformed lump,
Not like the fruit of such a goodly tree.
Teeth hadst thou in thy head when thou wast born,
To signify thou camest to bite the world:
And, if the rest be true which I have heard,
Thou camest—

9

Macbeth
[I, 2]

Ross

74

From Fife, great king;
Where the Norweyan banners flout the sky
And fan our people cold. Norway himself,
With terrible numbers,
Assisted by that most disloyal traitor
The thane of Cawdor, began a dismal conflict;
Till that Bellona's bridegroom, lapp'd in proof,
Confronted him with self-comparisons,
Point against point rebellious, arm 'gainst arm.
Curbing his lavish spirit: and, to conclude,
The victory fell on us.

10

Macbeth
[III, 5]

Hecate

1452

Have I not reason, beldams as you are,
Saucy and overbold? How did you dare
To trade and traffic with Macbeth
In riddles and affairs of death;
And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful and wrathful, who, as others do,
Loves for his own ends, not for you.
But make amends now: get you gone,
And at the pit of Acheron
Meet me i' the morning: thither he
Will come to know his destiny:
Your vessels and your spells provide,
Your charms and every thing beside.
I am for the air; this night I'll spend
Unto a dismal and a fatal end:
Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;
I'll catch it ere it come to ground:
And that distill'd by magic sleights
Shall raise such artificial sprites
As by the strength of their illusion
Shall draw him on to his confusion:
He shall spurn fate, scorn death, and bear
He hopes 'bove wisdom, grace and fear:
And you all know, security
Is mortals' chiefest enemy.
[Music and a song within: 'Come away, come away,' &c]
Hark! I am call'd; my little spirit, see,
Sits in a foggy cloud, and stays for me.

11

Macbeth
[V, 5]

Macbeth

2364

I have almost forgot the taste of fears;
The time has been, my senses would have cool'd
To hear a night-shriek; and my fell of hair
Would at a dismal treatise rouse and stir
As life were in't: I have supp'd full with horrors;
Direness, familiar to my slaughterous thoughts
Cannot once start me.
[Re-enter SEYTON]
Wherefore was that cry?

12

Pericles
[V, 3]

Pericles

2604

Pure Dian, bless thee for thy vision! I
Will offer night-oblations to thee. Thaisa,
This prince, the fair-betrothed of your daughter,
Shall marry her at Pentapolis. And now,
This ornament
Makes me look dismal will I clip to form;
And what this fourteen years no razor touch'd,
To grace thy marriage-day, I'll beautify.

13

Richard II
[II, 2]

Queen

1057

So, Green, thou art the midwife to my woe,
And Bolingbroke my sorrow's dismal heir:
Now hath my soul brought forth her prodigy,
And I, a gasping new-deliver'd mother,
Have woe to woe, sorrow to sorrow join'd.

14

Richard III
[I, 4]

George Plantagenet (Duke of Clarence)

835

O, I have pass'd a miserable night,
So full of ugly sights, of ghastly dreams,
That, as I am a Christian faithful man,
I would not spend another such a night,
Though 'twere to buy a world of happy days,
So full of dismal terror was the time!

15

Richard III
[III, 3]

Lord (Earl) Rivers

1927

O Pomfret, Pomfret! O thou bloody prison,
Fatal and ominous to noble peers!
Within the guilty closure of thy walls
Richard the second here was hack'd to death;
And, for more slander to thy dismal seat,
We give thee up our guiltless blood to drink.

16

Romeo and Juliet
[III, 2]

Juliet

1765

What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.

17

Romeo and Juliet
[IV, 3]

Juliet

2565

Farewell! God knows when we shall meet again.
I have a faint cold fear thrills through my veins,
That almost freezes up the heat of life:
I'll call them back again to comfort me:
Nurse! What should she do here?
My dismal scene I needs must act alone.
Come, vial.
What if this mixture do not work at all?
Shall I be married then to-morrow morning?
No, no: this shall forbid it: lie thou there.
[Laying down her dagger]
What if it be a poison, which the friar
Subtly hath minister'd to have me dead,
Lest in this marriage he should be dishonour'd,
Because he married me before to Romeo?
I fear it is: and yet, methinks, it should not,
For he hath still been tried a holy man.
How if, when I am laid into the tomb,
I wake before the time that Romeo
Come to redeem me? there's a fearful point!
Shall I not, then, be stifled in the vault,
To whose foul mouth no healthsome air breathes in,
And there die strangled ere my Romeo comes?
Or, if I live, is it not very like,
The horrible conceit of death and night,
Together with the terror of the place,—
As in a vault, an ancient receptacle,
Where, for these many hundred years, the bones
Of all my buried ancestors are packed:
Where bloody Tybalt, yet but green in earth,
Lies festering in his shroud; where, as they say,
At some hours in the night spirits resort;—
Alack, alack, is it not like that I,
So early waking, what with loathsome smells,
And shrieks like mandrakes' torn out of the earth,
That living mortals, hearing them, run mad:—
O, if I wake, shall I not be distraught,
Environed with all these hideous fears?
And madly play with my forefather's joints?
And pluck the mangled Tybalt from his shroud?
And, in this rage, with some great kinsman's bone,
As with a club, dash out my desperate brains?
O, look! methinks I see my cousin's ghost
Seeking out Romeo, that did spit his body
Upon a rapier's point: stay, Tybalt, stay!
Romeo, I come! this do I drink to thee.

18

Titus Andronicus
[II, 3]

Tamora

827

Have I not reason, think you, to look pale?
These two have 'ticed me hither to this place:
A barren detested vale, you see it is;
The trees, though summer, yet forlorn and lean,
O'ercome with moss and baleful mistletoe:
Here never shines the sun; here nothing breeds,
Unless the nightly owl or fatal raven:
And when they show'd me this abhorred pit,
They told me, here, at dead time of the night,
A thousand fiends, a thousand hissing snakes,
Ten thousand swelling toads, as many urchins,
Would make such fearful and confused cries
As any mortal body hearing it
Should straight fall mad, or else die suddenly.
No sooner had they told this hellish tale,
But straight they told me they would bind me here
Unto the body of a dismal yew,
And leave me to this miserable death:
And then they call'd me foul adulteress,
Lascivious Goth, and all the bitterest terms
That ever ear did hear to such effect:
And, had you not by wondrous fortune come,
This vengeance on me had they executed.
Revenge it, as you love your mother's life,
Or be ye not henceforth call'd my children.

19

Titus Andronicus
[III, 1]

Marcus Andronicus

1394

Now, farewell, flattery: die, Andronicus;
Thou dost not slumber: see, thy two sons' heads,
Thy warlike hand, thy mangled daughter here:
Thy other banish'd son, with this dear sight
Struck pale and bloodless; and thy brother, I,
Even like a stony image, cold and numb.
Ah, now no more will I control thy griefs:
Rend off thy silver hair, thy other hand
Gnawing with thy teeth; and be this dismal sight
The closing up of our most wretched eyes;
Now is a time to storm; why art thou still?

20

Titus Andronicus
[IV, 2]

Nurse

1755

A joyless, dismal, black, and sorrowful issue:
Here is the babe, as loathsome as a toad
Amongst the fairest breeders of our clime:
The empress sends it thee, thy stamp, thy seal,
And bids thee christen it with thy dagger's point.

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