# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[V, 4]

Touchstone

2456

God 'ild you, sir; I desire you of the like. I press in
here, sir, amongst the rest of the country copulatives, to swear
and to forswear, according as marriage binds and blood breaks. A
poor virgin, sir, an ill-favour'd thing, sir, but mine own; a
poor humour of mine, sir, to take that that man else will. Rich
honesty dwells like a miser, sir, in a poor house; as your pearl
in your foul oyster.

2

King Lear
[II, 4]

Lear

1476

This is a slave, whose easy-borrowed pride
Dwells in the fickle grace of her he follows.
Out, varlet, from my sight!

3

Merchant of Venice
[II, 2]

Old Gobbo

609

By God's sonties, 'twill be a hard way to hit. Can
you tell me whether one Launcelot,
that dwells with him, dwell with him or no?

4

Merchant of Venice
[II, 6]

Lorenzo

931

Sweet friends, your patience for my long abode;
Not I, but my affairs, have made you wait:
When you shall please to play the thieves for wives,
I'll watch as long for you then. Approach;
Here dwells my father Jew. Ho! who's within?

5

Merry Wives of Windsor
[I, 2]

Sir Hugh Evans

291

Go your ways, and ask of Doctor Caius' house which
is the way: and there dwells one Mistress Quickly,
which is in the manner of his nurse, or his dry
nurse, or his cook, or his laundry, his washer, and
his wringer.

6

Merry Wives of Windsor
[II, 2]

Ford

1029

O, understand my drift. She dwells so securely on
the excellency of her honour, that the folly of my
soul dares not present itself: she is too bright to
be looked against. Now, could I could come to her
with any detection in my hand, my desires had
instance and argument to commend themselves: I
could drive her then from the ward of her purity,
her reputation, her marriage-vow, and a thousand
other her defences, which now are too too strongly
embattled against me. What say you to't, Sir John?

7

Much Ado about Nothing
[V, 1]

Claudio

2257

Yea, and text underneath, 'Here dwells Benedick the
married man'?

8

Pericles
[V, 0]

Gower

2144

Marina thus the brothel 'scapes, and chances
Into an honest house, our story says.
She sings like one immortal, and she dances
As goddess-like to her admired lays;
Deep clerks she dumbs; and with her needle composes
Nature's own shape, of bud, bird, branch, or berry,
That even her art sisters the natural roses;
Her inkle, silk, twin with the rubied cherry:
That pupils lacks she none of noble race,
Who pour their bounty on her; and her gain
She gives the cursed bawd. Here we her place;
And to her father turn our thoughts again,
Where we left him, on the sea. We there him lost;
Whence, driven before the winds, he is arrived
Here where his daughter dwells; and on this coast
Suppose him now at anchor. The city strived
God Neptune's annual feast to keep: from whence
Lysimachus our Tyrian ship espies,
His banners sable, trimm'd with rich expense;
And to him in his barge with fervor hies.
In your supposing once more put your sight
Of heavy Pericles; think this his bark:
Where what is done in action, more, if might,
Shall be discover'd; please you, sit and hark.

9

Richard II
[I, 2]

Duchess of Gloucester

271

Yet one word more: grief boundeth where it falls,
Not with the empty hollowness, but weight:
I take my leave before I have begun,
For sorrow ends not when it seemeth done.
Commend me to thy brother, Edmund York.
Lo, this is all:—nay, yet depart not so;
Though this be all, do not so quickly go;
I shall remember more. Bid him—ah, what?—
With all good speed at Plashy visit me.
Alack, and what shall good old York there see
But empty lodgings and unfurnish'd walls,
Unpeopled offices, untrodden stones?
And what hear there for welcome but my groans?
Therefore commend me; let him not come there,
To seek out sorrow that dwells every where.
Desolate, desolate, will I hence and die:
The last leave of thee takes my weeping eye.

10

Richard III
[I, 2]

Lady Anne

224

Foul devil, for God's sake, hence, and trouble us not;
For thou hast made the happy earth thy hell,
Fill'd it with cursing cries and deep exclaims.
If thou delight to view thy heinous deeds,
Behold this pattern of thy butcheries.
O, gentlemen, see, see! dead Henry's wounds
Open their congeal'd mouths and bleed afresh!
Blush, Blush, thou lump of foul deformity;
For 'tis thy presence that exhales this blood
From cold and empty veins, where no blood dwells;
Thy deed, inhuman and unnatural,
Provokes this deluge most unnatural.
O God, which this blood madest, revenge his death!
O earth, which this blood drink'st revenge his death!
Either heaven with lightning strike the
murderer dead,
Or earth, gape open wide and eat him quick,
As thou dost swallow up this good king's blood
Which his hell-govern'd arm hath butchered!

11

Richard III
[IV, 2]

Richard III (Duke of Gloucester)

2641

Rumour it abroad
That Anne, my wife, is sick and like to die:
I will take order for her keeping close.
Inquire me out some mean-born gentleman,
Whom I will marry straight to Clarence' daughter:
The boy is foolish, and I fear not him.
Look, how thou dream'st! I say again, give out
That Anne my wife is sick and like to die:
About it; for it stands me much upon,
To stop all hopes whose growth may damage me.
[Exit CATESBY]
I must be married to my brother's daughter,
Or else my kingdom stands on brittle glass.
Murder her brothers, and then marry her!
Uncertain way of gain! But I am in
So far in blood that sin will pluck on sin:
Tear-falling pity dwells not in this eye.
[Re-enter Page, with TYRREL]
Is thy name Tyrrel?

12

Romeo and Juliet
[V, 1]

Romeo

2840

No matter: get thee gone,
And hire those horses; I'll be with thee straight.
[Exit BALTHASAR]
Well, Juliet, I will lie with thee to-night.
Let's see for means: O mischief, thou art swift
To enter in the thoughts of desperate men!
I do remember an apothecary,—
And hereabouts he dwells,—which late I noted
In tatter'd weeds, with overwhelming brows,
Culling of simples; meagre were his looks,
Sharp misery had worn him to the bones:
And in his needy shop a tortoise hung,
An alligator stuff'd, and other skins
Of ill-shaped fishes; and about his shelves
A beggarly account of empty boxes,
Green earthen pots, bladders and musty seeds,
Remnants of packthread and old cakes of roses,
Were thinly scatter'd, to make up a show.
Noting this penury, to myself I said
'An if a man did need a poison now,
Whose sale is present death in Mantua,
Here lives a caitiff wretch would sell it him.'
O, this same thought did but forerun my need;
And this same needy man must sell it me.
As I remember, this should be the house.
Being holiday, the beggar's shop is shut.
What, ho! apothecary!

13

Sonnet 99

Shakespeare

1373

The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love's veins thou hast too grossly dyed.
The lily I condemned for thy hand,
And buds of marjoram had stol'n thy hair:
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol'n of both
And to his robbery had annex'd thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
More flowers I noted, yet I none could see
But sweet or colour it had stol'n from thee.

14

Tempest
[II, 1]

Antonio

979

She that is queen of Tunis; she that dwells
Ten leagues beyond man's life; she that from Naples
Can have no note, unless the sun were post—
The man i' the moon's too slow—till new-born chins
Be rough and razorable; she that—from whom?
We all were sea-swallow'd, though some cast again,
And by that destiny to perform an act
Whereof what's past is prologue, what to come
In yours and my discharge.

15

Troilus and Cressida
[I, 3]

Nestor

796

Yes, 'tis most meet: whom may you else oppose,
That can from Hector bring his honour off,
If not Achilles? Though't be a sportful combat,
Yet in the trial much opinion dwells;
For here the Trojans taste our dear'st repute
With their finest palate: and trust to me, Ulysses,
Our imputation shall be oddly poised
In this wild action; for the success,
Although particular, shall give a scantling
Of good or bad unto the general;
And in such indexes, although small pricks
To their subsequent volumes, there is seen
The baby figure of the giant mass
Of things to come at large. It is supposed
He that meets Hector issues from our choice
And choice, being mutual act of all our souls,
Makes merit her election, and doth boil,
As 'twere from us all, a man distill'd
Out of our virtues; who miscarrying,
What heart receives from hence the conquering part,
To steel a strong opinion to themselves?
Which entertain'd, limbs are his instruments,
In no less working than are swords and bows
Directive by the limbs.

16

Troilus and Cressida
[II, 2]

Hector

1046

But value dwells not in particular will;
It holds his estimate and dignity
As well wherein 'tis precious of itself
As in the prizer: 'tis mad idolatry
To make the service greater than the god
And the will dotes that is attributive
To what infectiously itself affects,
Without some image of the affected merit.

17

Troilus and Cressida
[III, 2]

Cressida

1802

Perchance, my lord, I show more craft than love;
And fell so roundly to a large confession,
To angle for your thoughts: but you are wise,
Or else you love not, for to be wise and love
Exceeds man's might; that dwells with gods above.

18

Two Gentlemen of Verona
[I, 1]

Proteus

44

Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.

19

Venus and Adonis

Shakespeare

225

'What am I, that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute:
Give me one kiss, I'll give it thee again,
And one for interest, if thou wilt have twain.