# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

80

O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.

2

All's Well That Ends Well
[I, 1]

Helena

218

Our remedies oft in ourselves do lie,
Which we ascribe to heaven: the fated sky
Gives us free scope, only doth backward pull
Our slow designs when we ourselves are dull.
What power is it which mounts my love so high,
That makes me see, and cannot feed mine eye?
The mightiest space in fortune nature brings
To join like likes and kiss like native things.
Impossible be strange attempts to those
That weigh their pains in sense and do suppose
What hath been cannot be: who ever strove
So show her merit, that did miss her love?
The king's disease—my project may deceive me,
But my intents are fix'd and will not leave me.

3

All's Well That Ends Well
[I, 3]

Countess

437

You have discharged this honestly; keep it to
yourself: many likelihoods informed me of this
before, which hung so tottering in the balance that
I could neither believe nor misdoubt. Pray you,
leave me: stall this in your bosom; and I thank you
for your honest care: I will speak with you further anon.
[Exit Steward]
[Enter HELENA]
Even so it was with me when I was young:
If ever we are nature's, these are ours; this thorn
Doth to our rose of youth rightly belong;
Our blood to us, this to our blood is born;
It is the show and seal of nature's truth,
Where love's strong passion is impress'd in youth:
By our remembrances of days foregone,
Such were our faults, or then we thought them none.
Her eye is sick on't: I observe her now.

4

All's Well That Ends Well
[I, 3]

Countess

458

Nay, a mother:
Why not a mother? When I said 'a mother,'
Methought you saw a serpent: what's in 'mother,'
That you start at it? I say, I am your mother;
And put you in the catalogue of those
That were enwombed mine: 'tis often seen
Adoption strives with nature and choice breeds
A native slip to us from foreign seeds:
You ne'er oppress'd me with a mother's groan,
Yet I express to you a mother's care:
God's mercy, maiden! does it curd thy blood
To say I am thy mother? What's the matter,
That this distemper'd messenger of wet,
The many-colour'd Iris, rounds thine eye?
Why? that you are my daughter?

5

All's Well That Ends Well
[II, 1]

Helena

711

The rather will I spare my praises towards him:
Knowing him is enough. On's bed of death
Many receipts he gave me: chiefly one.
Which, as the dearest issue of his practise,
And of his old experience the oily darling,
He bade me store up, as a triple eye,
Safer than mine own two, more dear; I have so;
And hearing your high majesty is touch'd
With that malignant cause wherein the honour
Of my dear father's gift stands chief in power,
I come to tender it and my appliance
With all bound humbleness.

6

All's Well That Ends Well
[II, 3]

King of France

940

Go, call before me all the lords in court.
Sit, my preserver, by thy patient's side;
And with this healthful hand, whose banish'd sense
Thou hast repeal'd, a second time receive
The confirmation of my promised gift,
Which but attends thy naming.
[Enter three or four Lords]
Fair maid, send forth thine eye: this youthful parcel
Of noble bachelors stand at my bestowing,
O'er whom both sovereign power and father's voice
I have to use: thy frank election make;
Thou hast power to choose, and they none to forsake.

7

All's Well That Ends Well
[V, 3]

Bertram

2725

Admiringly, my liege, at first
I stuck my choice upon her, ere my heart
Durst make too bold a herald of my tongue
Where the impression of mine eye infixing,
Contempt his scornful perspective did lend me,
Which warp'd the line of every other favour;
Scorn'd a fair colour, or express'd it stolen;
Extended or contracted all proportions
To a most hideous object: thence it came
That she whom all men praised and whom myself,
Since I have lost, have loved, was in mine eye
The dust that did offend it.

8

All's Well That Ends Well
[V, 3]

King of France

2766

Now, pray you, let me see it; for mine eye,
While I was speaking, oft was fasten'd to't.
This ring was mine; and, when I gave it Helen,
I bade her, if her fortunes ever stood
Necessitied to help, that by this token
I would relieve her. Had you that craft, to reave
her
Of what should stead her most?

9

Antony and Cleopatra
[I, 3]

Cleopatra

320

I know, by that same eye, there's some good news.
What says the married woman? You may go:
Would she had never given you leave to come!
Let her not say 'tis I that keep you here:
I have no power upon you; hers you are.

10

Antony and Cleopatra
[I, 3]

Cleopatra

408

'Tis sweating labour
To bear such idleness so near the heart
As Cleopatra this. But, sir, forgive me;
Since my becomings kill me, when they do not
Eye well to you: your honour calls you hence;
Therefore be deaf to my unpitied folly.
And all the gods go with you! upon your sword
Sit laurel victory! and smooth success
Be strew'd before your feet!

11

Antony and Cleopatra
[III, 6]

Mecaenas

1833

This in the public eye?

12

Antony and Cleopatra
[III, 9]

Antony

2052

Set we our squadrons on yond side o' the hill,
In eye of Caesar's battle; from which place
We may the number of the ships behold,
And so proceed accordingly.

13

Antony and Cleopatra
[IV, 12]

Antony

2913

All is lost;
This foul Egyptian hath betrayed me:
My fleet hath yielded to the foe; and yonder
They cast their caps up and carouse together
Like friends long lost. Triple-turn'd whore!
'tis thou
Hast sold me to this novice; and my heart
Makes only wars on thee. Bid them all fly;
For when I am revenged upon my charm,
I have done all. Bid them all fly; begone.
[Exit SCARUS]
O sun, thy uprise shall I see no more:
Fortune and Antony part here; even here
Do we shake hands. All come to this? The hearts
That spaniel'd me at heels, to whom I gave
Their wishes, do discandy, melt their sweets
On blossoming Caesar; and this pine is bark'd,
That overtopp'd them all. Betray'd I am:
O this false soul of Egypt! this grave charm,—
Whose eye beck'd forth my wars, and call'd them home;
Whose bosom was my crownet, my chief end,—
Like a right gipsy, hath, at fast and loose,
Beguiled me to the very heart of loss.
What, Eros, Eros!
[Enter CLEOPATRA]
Ah, thou spell! Avaunt!

14

Antony and Cleopatra
[V, 2]

Cleopatra

3445

Sir, I will eat no meat, I'll not drink, sir;
If idle talk will once be necessary,
I'll not sleep neither: this mortal house I'll ruin,
Do Caesar what he can. Know, sir, that I
Will not wait pinion'd at your master's court;
Nor once be chastised with the sober eye
Of dull Octavia. Shall they hoist me up
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave unto me! rather on Nilus' mud
Lay me stark naked, and let the water-flies
Blow me into abhorring! rather make
My country's high pyramides my gibbet,
And hang me up in chains!

15

As You Like It
[I, 2]

Celia

323

If I had a thunderbolt in mine eye, I can tell who should
down.

16

As You Like It
[II, 7]

Jaques (lord)

906

A fool, a fool! I met a fool i' th' forest,
A motley fool. A miserable world!
As I do live by food, I met a fool,
Who laid him down and bask'd him in the sun,
And rail'd on Lady Fortune in good terms,
In good set terms- and yet a motley fool.
'Good morrow, fool,' quoth I; 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune.'
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, 'It is ten o'clock;
Thus we may see,' quoth he, 'how the world wags;
'Tis but an hour ago since it was nine;
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer
That fools should be so deep contemplative;
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.

17

As You Like It
[II, 7]

Duke

1092

If that you were the good Sir Rowland's son,
As you have whisper'd faithfully you were,
And as mine eye doth his effigies witness
Most truly limn'd and living in your face,
Be truly welcome hither. I am the Duke
That lov'd your father. The residue of your fortune,
Go to my cave and tell me. Good old man,
Thou art right welcome as thy master is.
Support him by the arm. Give me your hand,
And let me all your fortunes understand. Exeunt

18

As You Like It
[III, 2]

Orlando

1122

Hang there, my verse, in witness of my love;
And thou, thrice-crowned Queen of Night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books,
And in their barks my thoughts I'll character,
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree,
The fair, the chaste, and unexpressive she. Exit

19

As You Like It
[III, 2]

Rosalind

1457

A lean cheek, which you have not; a blue eye and sunken,
which you have not; an unquestionable spirit, which you have not;
a beard neglected, which you have not; but I pardon you for that,
for simply your having in beard is a younger brother's revenue.
Then your hose should be ungarter'd, your bonnet unbanded, your
sleeve unbutton'd, your shoe untied, and every thing about you
demonstrating a careless desolation. But you are no such man; you
are rather point-device in your accoutrements, as loving yourself
than seeming the lover of any other.

20

As You Like It
[III, 5]

Phebe

1659

I would not be thy executioner;
I fly thee, for I would not injure thee.
Thou tell'st me there is murder in mine eye.
'Tis pretty, sure, and very probable,
That eyes, that are the frail'st and softest things,
Who shut their coward gates on atomies,
Should be call'd tyrants, butchers, murderers!
Now I do frown on thee with all my heart;
And if mine eyes can wound, now let them kill thee.
Now counterfeit to swoon; why, now fall down;
Or, if thou canst not, O, for shame, for shame,
Lie not, to say mine eyes are murderers.
Now show the wound mine eye hath made in thee.
Scratch thee but with a pin, and there remains
Some scar of it; lean upon a rush,
The cicatrice and capable impressure
Thy palm some moment keeps; but now mine eyes,
Which I have darted at thee, hurt thee not;
Nor, I am sure, there is not force in eyes
That can do hurt.