# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Helena

548

I will tell truth; by grace itself I swear.
You know my father left me some prescriptions
Of rare and proved effects, such as his reading
And manifest experience had collected
For general sovereignty; and that he will'd me
In heedfull'st reservation to bestow them,
As notes whose faculties inclusive were
More than they were in note: amongst the rest,
There is a remedy, approved, set down,
To cure the desperate languishings whereof
The king is render'd lost.

2

Cymbeline
[I, 1]

Pisanio

221

On his command: he would not suffer me
To bring him to the haven; left these notes
Of what commands I should be subject to,
When 't pleased you to employ me.

3

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

4

Cymbeline
[IV, 2]

Guiderius

2630

Cadwal,
I cannot sing: I'll weep, and word it with thee;
For notes of sorrow out of tune are worse
Than priests and fanes that lie.

5

Cymbeline
[V, 5]

Iachimo

3587

Your daughter's chastity—there it begins.
He spake of her, as Dian had hot dreams,
And she alone were cold: whereat I, wretch,
Made scruple of his praise; and wager'd with him
Pieces of gold 'gainst this which then he wore
Upon his honour'd finger, to attain
In suit the place of's bed and win this ring
By hers and mine adultery. He, true knight,
No lesser of her honour confident
Than I did truly find her, stakes this ring;
And would so, had it been a carbuncle
Of Phoebus' wheel, and might so safely, had it
Been all the worth of's car. Away to Britain
Post I in this design: well may you, sir,
Remember me at court; where I was taught
Of your chaste daughter the wide difference
'Twixt amorous and villanous. Being thus quench'd
Of hope, not longing, mine Italian brain
'Gan in your duller Britain operate
Most vilely; for my vantage, excellent:
And, to be brief, my practise so prevail'd,
That I return'd with simular proof enough
To make the noble Leonatus mad,
By wounding his belief in her renown
With tokens thus, and thus; averting notes
Of chamber-hanging, pictures, this her bracelet,—
O cunning, how I got it!—nay, some marks
Of secret on her person, that he could not
But think her bond of chastity quite crack'd,
I having ta'en the forfeit. Whereupon—
Methinks, I see him now—

6

Hamlet
[II, 1]

Polonius

948

Give him this money and these notes, Reynaldo.

7

Henry VI, Part III
[IV, 6]

Henry VI

2323

For what, lieutenant? for well using me?
Nay, be thou sure I'll well requite thy kindness,
For that it made my imprisonment a pleasure;
Ay, such a pleasure as incaged birds
Conceive when after many moody thoughts
At last by notes of household harmony
They quite forget their loss of liberty.
But, Warwick, after God, thou set'st me free,
And chiefly therefore I thank God and thee;
He was the author, thou the instrument.
Therefore, that I may conquer fortune's spite
By living low, where fortune cannot hurt me,
And that the people of this blessed land
May not be punish'd with my thwarting stars,
Warwick, although my head still wear the crown,
I here resign my government to thee,
For thou art fortunate in all thy deeds.

8

King John
[V, 2]

Lewis

2279

My Lord Melun, let this be copied out,
And keep it safe for our remembrance:
Return the precedent to these lords again;
That, having our fair order written down,
Both they and we, perusing o'er these notes,
May know wherefore we took the sacrament
And keep our faiths firm and inviolable.

9

Merchant of Venice
[III, 4]

Portia

1793

I thank you for your wish, and am well pleased
To wish it back on you: fare you well Jessica.
[Exeunt JESSICA and LORENZO]
Now, Balthasar,
As I have ever found thee honest-true,
So let me find thee still. Take this same letter,
And use thou all the endeavour of a man
In speed to Padua: see thou render this
Into my cousin's hand, Doctor Bellario;
And, look, what notes and garments he doth give thee,
Bring them, I pray thee, with imagined speed
Unto the tranect, to the common ferry
Which trades to Venice. Waste no time in words,
But get thee gone: I shall be there before thee.

10

Much Ado about Nothing
[II, 3]

Don Pedro

869

Now, pray thee, come;
Or, if thou wilt hold longer argument,
Do it in notes.

11

Much Ado about Nothing
[II, 3]

Balthasar

872

Note this before my notes;
There's not a note of mine that's worth the noting.

12

Much Ado about Nothing
[II, 3]

Don Pedro

874

Why, these are very crotchets that he speaks;
Note, notes, forsooth, and nothing.

13

Rape of Lucrece

Shakespeare

1172

'You mocking-birds,' quoth she, 'your tunes entomb
Within your hollow-swelling feather'd breasts,
And in my hearing be you mute and dumb:
My restless discord loves no stops nor rests;
A woeful hostess brooks not merry guests:
Relish your nimble notes to pleasing ears;
Distress likes dumps when time is kept with tears.

14

Romeo and Juliet
[III, 5]

Romeo

2114

Let me be ta'en, let me be put to death;
I am content, so thou wilt have it so.
I'll say yon grey is not the morning's eye,
'Tis but the pale reflex of Cynthia's brow;
Nor that is not the lark, whose notes do beat
The vaulty heaven so high above our heads:
I have more care to stay than will to go:
Come, death, and welcome! Juliet wills it so.
How is't, my soul? let's talk; it is not day.

15

Taming of the Shrew
[III, 1]

Bianca

1339

[Reads]
'"Gamut" I am, the ground of all accord-
"A re" to plead Hortensio's passion-
"B mi" Bianca, take him for thy lord-
"C fa ut" that loves with all affection-
"D sol re" one clef, two notes have I-
"E la mi" show pity or I die.'
Call you this gamut? Tut, I like it not!
Old fashions please me best; I am not so nice
To change true rules for odd inventions.

16

Taming of the Shrew
[V, 2]

Lucentio

2489

At last, though long, our jarring notes agree;
And time it is when raging war is done
To smile at scapes and perils overblown.
My fair Bianca, bid my father welcome,
While I with self-same kindness welcome thine.
Brother Petruchio, sister Katherina,
And thou, Hortensio, with thy loving widow,
Feast with the best, and welcome to my house.
My banquet is to close our stomachs up
After our great good cheer. Pray you, sit down;
For now we sit to chat as well as eat. [They sit]

17

Timon of Athens
[I, 2]

Apemantus

378

I scorn thy meat; 'twould choke me, for I should
ne'er flatter thee. O you gods, what a number of
men eat Timon, and he sees 'em not! It grieves me
to see so many dip their meat in one man's blood;
and all the madness is, he cheers them up too.
I wonder men dare trust themselves with men:
Methinks they should invite them without knives;
Good for their meat, and safer for their lives.
There's much example for't; the fellow that sits
next him now, parts bread with him, pledges the
breath of him in a divided draught, is the readiest
man to kill him: 't has been proved. If I were a
huge man, I should fear to drink at meals;
Lest they should spy my windpipe's dangerous notes:
Great men should drink with harness on their throats.

18

Titus Andronicus
[III, 1]

Marcus Andronicus

1212

O, that delightful engine of her thoughts
That blabb'd them with such pleasing eloquence,
Is torn from forth that pretty hollow cage,
Where, like a sweet melodious bird, it sung
Sweet varied notes, enchanting every ear!

19

Troilus and Cressida
[V, 3]

Cassandra

3292

No notes of sally, for the heavens, sweet brother.

20

Troilus and Cressida
[V, 10]

Pandarus

3672

A goodly medicine for my aching bones! O world!
world! world! thus is the poor agent despised!
O traitors and bawds, how earnestly are you set
a-work, and how ill requited! why should our
endeavour be so loved and the performance so loathed?
what verse for it? what instance for it? Let me see:
Full merrily the humble-bee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.
Good traders in the flesh, set this in your
painted cloths.
As many as be here of pander's hall,
Your eyes, half out, weep out at Pandar's fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the hold-door trade,
Some two months hence my will shall here be made:
It should be now, but that my fear is this,
Some galled goose of Winchester would hiss:
Till then I'll sweat and seek about for eases,
And at that time bequeathe you my diseases.