# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[III, 6]

Octavius

1869

Why have you stol'n upon us thus! You come not
Like Caesar's sister: the wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear; the trees by the way
Should have borne men; and expectation fainted,
Longing for what it had not; nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops: but you are come
A market-maid to Rome; and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved; we should have met you
By sea and land; supplying every stage
With an augmented greeting.

2

Coriolanus
[I, 6]

Cominius

718

March on, my fellows:
Make good this ostentation, and you shall
Divide in all with us.

3

Hamlet
[IV, 5]

Laertes

3089

Let this be so.
His means of death, his obscure funeral-
No trophy, sword, nor hatchment o'er his bones,
No noble rite nor formal ostentation,-
Cry to be heard, as 'twere from heaven to earth,
That I must call't in question.

4

Henry IV, Part II
[II, 2]

Henry V

999

By this hand, thou thinkest me as far in the devil's
as thou and Falstaff for obduracy and persistency: let the
try the man. But I tell thee my heart bleeds inwardly that my
father is so sick; and keeping such vile company as thou art
in reason taken from me all ostentation of sorrow.

5

Love's Labour's Lost
[V, 1]

Don Adriano de Armado

1822

Sir, the king is a noble gentleman, and my familiar,
I do assure ye, very good friend: for what is
inward between us, let it pass. I do beseech thee,
remember thy courtesy; I beseech thee, apparel thy
head: and among other important and most serious
designs, and of great import indeed, too, but let
that pass: for I must tell thee, it will please his
grace, by the world, sometime to lean upon my poor
shoulder, and with his royal finger, thus, dally
with my excrement, with my mustachio; but, sweet
heart, let that pass. By the world, I recount no
fable: some certain special honours it pleaseth his
greatness to impart to Armado, a soldier, a man of
travel, that hath seen the world; but let that pass.
The very all of all is,—but, sweet heart, I do
implore secrecy,—that the king would have me
present the princess, sweet chuck, with some
delightful ostentation, or show, or pageant, or
antique, or firework. Now, understanding that the
curate and your sweet self are good at such
eruptions and sudden breaking out of mirth, as it
were, I have acquainted you withal, to the end to
crave your assistance.

6

Love's Labour's Lost
[V, 2]

Biron

2316

Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.

7

Much Ado about Nothing
[IV, 1]

Friar Francis

1852

Pause awhile,
And let my counsel sway you in this case.
Your daughter here the princes left for dead:
Let her awhile be secretly kept in,
And publish it that she is dead indeed;
Maintain a mourning ostentation
And on your family's old monument
Hang mournful epitaphs and do all rites
That appertain unto a burial.

8

Richard II
[II, 3]

Edmund of Langley

1244

Tut, tut!
Grace me no grace, nor uncle me no uncle:
I am no traitor's uncle; and that word 'grace.'
In an ungracious mouth is but profane.
Why have those banish'd and forbidden legs
Dared once to touch a dust of England's ground?
But then more 'why?' why have they dared to march
So many miles upon her peaceful bosom,
Frighting her pale-faced villages with war
And ostentation of despised arms?
Comest thou because the anointed king is hence?
Why, foolish boy, the king is left behind,
And in my loyal bosom lies his power.
Were I but now the lord of such hot youth
As when brave Gaunt, thy father, and myself
Rescued the Black Prince, that young Mars of men,
From forth the ranks of many thousand French,
O, then how quickly should this arm of mine.
Now prisoner to the palsy, chastise thee
And minister correction to thy fault!