# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Countess

58

Be thou blest, Bertram, and succeed thy father
In manners, as in shape! thy blood and virtue
Contend for empire in thee, and thy goodness
Share with thy birthright! Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use, and keep thy friend
Under thy own life's key: be cheque'd for silence,
But never tax'd for speech. What heaven more will,
That thee may furnish and my prayers pluck down,
Fall on thy head! Farewell, my lord;
'Tis an unseason'd courtier; good my lord,
Advise him.

2

All's Well That Ends Well
[I, 2]

Bertram

290

His good remembrance, sir,
Lies richer in your thoughts than on his tomb;
So in approof lives not his epitaph
As in your royal speech.

3

All's Well That Ends Well
[II, 5]

Bertram

1315

Yes, I do know him well, and common speech
Gives him a worthy pass. Here comes my clog.

4

All's Well That Ends Well
[II, 5]

Helena

1318

I have, sir, as I was commanded from you,
Spoke with the king and have procured his leave
For present parting; only he desires
Some private speech with you.

5

All's Well That Ends Well
[V, 3]

Gentleman

2824

Gracious sovereign,
Whether I have been to blame or no, I know not:
Here's a petition from a Florentine,
Who hath for four or five removes come short
To tender it herself. I undertook it,
Vanquish'd thereto by the fair grace and speech
Of the poor suppliant, who by this I know
Is here attending: her business looks in her
With an importing visage; and she told me,
In a sweet verbal brief, it did concern
Your highness with herself.

6

Antony and Cleopatra
[I, 5]

Alexas

566

Last thing he did, dear queen,
He kiss'd,—the last of many doubled kisses,—
This orient pearl. His speech sticks in my heart.

7

Antony and Cleopatra
[II, 2]

Lepidus

681

Good Enobarbus, 'tis a worthy deed,
And shall become you well, to entreat your captain
To soft and gentle speech.

8

Antony and Cleopatra
[II, 2]

Lepidus

696

Your speech is passion:
But, pray you, stir no embers up. Here comes
The noble Antony.

9

Antony and Cleopatra
[II, 2]

Octavius

819

I do not much dislike the matter, but
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us stanch, from edge to edge
O' the world I would pursue it.

10

Antony and Cleopatra
[III, 13]

Antony

2417

If that thy father live, let him repent
Thou wast not made his daughter; and be thou sorry
To follow Caesar in his triumph, since
Thou hast been whipp'd for following him: henceforth
The white hand of a lady fever thee,
Shake thou to look on 't. Get thee back to Caesar,
Tell him thy entertainment: look, thou say
He makes me angry with him; for he seems
Proud and disdainful, harping on what I am,
Not what he knew I was: he makes me angry;
And at this time most easy 'tis to do't,
When my good stars, that were my former guides,
Have empty left their orbs, and shot their fires
Into the abysm of hell. If he mislike
My speech and what is done, tell him he has
Hipparchus, my enfranched bondman, whom
He may at pleasure whip, or hang, or torture,
As he shall like, to quit me: urge it thou:
Hence with thy stripes, begone!

11

As You Like It
[II, 7]

Jaques (lord)

965

Why, who cries out on pride
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the wearer's very means do ebb?
What woman in the city do I name
When that I say the city-woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she such is her neighbour?
Or what is he of basest function
That says his bravery is not on my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then! how then? what then? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then my taxing like a wild-goose flies,
Unclaim'd of any man. But who comes here?

12

Comedy of Errors
[IV, 2]

Luciana

1086

With words that in an honest suit might move.
First he did praise my beauty, then my speech.

13

Coriolanus
[II, 3]

First Citizen

1604

No,'tis his kind of speech: he did not mock us.

14

Coriolanus
[III, 1]

Coriolanus

1805

Tell me of corn!
This was my speech, and I will speak't again—

15

Coriolanus
[III, 2]

Menenius Agrippa

2280

Only fair speech.

16

Cymbeline
[III, 3]

Belarius

1672

My fault being nothing—as I have told you oft—
But that two villains, whose false oaths prevail'd
Before my perfect honour, swore to Cymbeline
I was confederate with the Romans: so
Follow'd my banishment, and this twenty years
This rock and these demesnes have been my world;
Where I have lived at honest freedom, paid
More pious debts to heaven than in all
The fore-end of my time. But up to the mountains!
This is not hunters' language: he that strikes
The venison first shall be the lord o' the feast;
To him the other two shall minister;
And we will fear no poison, which attends
In place of greater state. I'll meet you in the valleys.
[Exeunt GUIDERIUS and ARVIRAGUS]
How hard it is to hide the sparks of nature!
These boys know little they are sons to the king;
Nor Cymbeline dreams that they are alive.
They think they are mine; and though train'd
up thus meanly
I' the cave wherein they bow, their thoughts do hit
The roofs of palaces, and nature prompts them
In simple and low things to prince it much
Beyond the trick of others. This Polydore,
The heir of Cymbeline and Britain, who
The king his father call'd Guiderius,—Jove!
When on my three-foot stool I sit and tell
The warlike feats I have done, his spirits fly out
Into my story: say 'Thus, mine enemy fell,
And thus I set my foot on 's neck;' even then
The princely blood flows in his cheek, he sweats,
Strains his young nerves and puts himself in posture
That acts my words. The younger brother, Cadwal,
Once Arviragus, in as like a figure,
Strikes life into my speech and shows much more
His own conceiving.—Hark, the game is roused!
O Cymbeline! heaven and my conscience knows
Thou didst unjustly banish me: whereon,
At three and two years old, I stole these babes;
Thinking to bar thee of succession, as
Thou reft'st me of my lands. Euriphile,
Thou wast their nurse; they took thee for
their mother,
And every day do honour to her grave:
Myself, Belarius, that am Morgan call'd,
They take for natural father. The game is up.

17

Cymbeline
[III, 5]

Cloten

2107

Meet thee at Milford-Haven!—I forgot to ask him one
thing; I'll remember't anon:—even there, thou
villain Posthumus, will I kill thee. I would these
garments were come. She said upon a time—the
bitterness of it I now belch from my heart—that she
held the very garment of Posthumus in more respect
than my noble and natural person together with the
adornment of my qualities. With that suit upon my
back, will I ravish her: first kill him, and in her
eyes; there shall she see my valour, which will then
be a torment to her contempt. He on the ground, my
speech of insultment ended on his dead body, and
when my lust hath dined,—which, as I say, to vex
her I will execute in the clothes that she so
praised,—to the court I'll knock her back, foot
her home again. She hath despised me rejoicingly,
and I'll be merry in my revenge.
[Re-enter PISANIO, with the clothes]
Be those the garments?

18

Cymbeline
[V, 5]

Belarius

3751

We will die all three:
But I will prove that two on's are as good
As I have given out him. My sons, I must,
For mine own part, unfold a dangerous speech,
Though, haply, well for you.

19

Hamlet
[I, 3]

Ophelia

600

And hath given countenance to his speech, my lord,
With almost all the holy vows of heaven.

20

Hamlet
[II, 2]

Hamlet

1494

Why,
'As by lot, God wot,'
and then, you know,
'It came to pass, as most like it was.'
The first row of the pious chanson will show you more; for look
where my abridgment comes.
[Enter four or five Players.]
You are welcome, masters; welcome, all.- I am glad to see thee
well.- Welcome, good friends.- O, my old friend? Why, thy face is
valanc'd since I saw thee last. Com'st' thou to' beard me in
Denmark?- What, my young lady and mistress? By'r Lady, your
ladyship is nearer to heaven than when I saw you last by the
altitude of a chopine. Pray God your voice, like a piece of
uncurrent gold, be not crack'd within the ring.- Masters, you are
all welcome. We'll e'en to't like French falconers, fly at
anything we see. We'll have a speech straight. Come, give us a
taste of your quality. Come, a passionate speech.