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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Antony and Cleopatra
[II, 6] |
Pompey |
1260 |
Know, then,
I came before you here a man prepared
To take this offer: but Mark Antony
Put me to some impatience: though I lose
The praise of it by telling, you must know,
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.
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2 |
Coriolanus
[V, 2] |
Second Senator |
3403 |
Howsoever you have been his liar, as you say you
have, I am one that, telling true under him, must
say, you cannot pass. Therefore, go back.
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3 |
Cymbeline
[II, 3] |
Imogen |
1083 |
Good morrow, sir. You lay out too much pains
For purchasing but trouble; the thanks I give
Is telling you that I am poor of thanks
And scarce can spare them.
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4 |
Henry IV, Part I
[I, 3] |
Hotspur (Henry Percy) |
354 |
My liege, I did deny no prisoners.
But I remember, when the fight was done,
When I was dry with rage and extreme toil,
Breathless and faint, leaning upon my sword,
Came there a certain lord, neat, and trimly dress'd,
Fresh as a bridegroom; and his chin new reap'd
Show'd like a stubble-land at harvest-home;
He was perfumed like a milliner;
And 'twixt his finger and his thumb he held
A pouncet-box, which ever and anon
He gave his nose and took't away again;
Who therewith angry, when it next came there,
Took it in snuff; and still he smiled and talk'd,
And as the soldiers bore dead bodies by,
He call'd them untaught knaves, unmannerly,
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
With many holiday and lady terms
He question'd me; amongst the rest, demanded
My prisoners in your majesty's behalf.
I then, all smarting with my wounds being cold,
To be so pester'd with a popinjay,
Out of my grief and my impatience,
Answer'd neglectingly I know not what,
He should or he should not; for he made me mad
To see him shine so brisk and smell so sweet
And talk so like a waiting-gentlewoman
Of guns and drums and wounds,—God save the mark!—
And telling me the sovereign'st thing on earth
Was parmaceti for an inward bruise;
And that it was great pity, so it was,
This villanous salt-petre should be digg'd
Out of the bowels of the harmless earth,
Which many a good tall fellow had destroy'd
So cowardly; and but for these vile guns,
He would himself have been a soldier.
This bald unjointed chat of his, my lord,
I answer'd indirectly, as I said;
And I beseech you, let not his report
Come current for an accusation
Betwixt my love and your high majesty.
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5 |
Henry IV, Part I
[III, 1] |
Hotspur (Henry Percy) |
1601 |
And I can teach thee, coz, to shame the devil
By telling truth: tell truth and shame the devil.
If thou have power to raise him, bring him hither,
And I'll be sworn I have power to shame him hence.
O, while you live, tell truth and shame the devil!
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6 |
Henry IV, Part I
[III, 1] |
Hotspur (Henry Percy) |
1693 |
I cannot choose: sometime he angers me
With telling me of the mouldwarp and the ant,
Of the dreamer Merlin and his prophecies,
And of a dragon and a finless fish,
A clip-wing'd griffin and a moulten raven,
A couching lion and a ramping cat,
And such a deal of skimble-skamble stuff
As puts me from my faith. I tell you what;
He held me last night at least nine hours
In reckoning up the several devils' names
That were his lackeys: I cried 'hum,' and 'well, go to,'
But mark'd him not a word. O, he is as tedious
As a tired horse, a railing wife;
Worse than a smoky house: I had rather live
With cheese and garlic in a windmill, far,
Than feed on cates and have him talk to me
In any summer-house in Christendom.
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7 |
Henry IV, Part II
[II, 1] |
Hostess Quickly |
812 |
Marry, if thou wert an honest man, thyself and the
too. Thou didst swear to me upon a parcel-gilt goblet,
my Dolphin chamber, at the round table, by a sea-coal fire,
Wednesday in Wheeson week, when the Prince broke thy head for
liking his father to singing-man of Windsor—thou didst swear
me then, as I was washing thy wound, to marry me and make me
lady thy wife. Canst thou deny it? Did not goodwife Keech,
butcher's wife, come in then and call me gossip Quickly?
in to borrow a mess of vinegar, telling us she had a good
prawns, whereby thou didst desire to eat some, whereby I told
thee they were ill for green wound? And didst thou not, when
was gone down stairs, desire me to be no more so familiarity
such poor people, saying that ere long they should call me
And didst thou not kiss me, and bid me fetch the thirty
shillings? I put thee now to thy book-oath. Deny it, if thou
canst.
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8 |
Henry IV, Part II
[II, 4] |
Falstaff |
1527 |
Because their legs are both of a bigness, and 'a
quoits well, and eats conger and fennel, and drinks off
ends for flap-dragons, and rides the wild mare with the boys,
jumps upon join'd-stools, and swears with a good grace, and
his boots very smooth, like unto the sign of the Leg, and
no bate with telling of discreet stories; and such other
faculties 'a has, that show a weak mind and an able body, for
which the Prince admits him. For the Prince himself is such
another; the weight of a hair will turn the scales between
avoirdupois.
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9 |
Henry VI, Part II
[I, 2] |
Eleanor |
324 |
What, what, my lord! are you so choleric
With Eleanor, for telling but her dream?
Next time I'll keep my dreams unto myself,
And not be cheque'd.
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10 |
King Lear
[I, 4] |
Earl of Kent |
564 |
I can keep honest counsel, ride, run, mar a curious tale in
telling it and deliver a plain message bluntly. That which
ordinary men are fit for, I am qualified in, and the best of me
is diligence.
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11 |
Love's Labour's Lost
[I, 1] |
Costard |
225 |
It may be so: but if he say it is so, he is, in
telling true, but so.
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12 |
Love's Labour's Lost
[IV, 1] |
Princess of France |
988 |
Nay, never paint me now:
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
Fair payment for foul words is more than due.
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13 |
Measure for Measure
[II, 1] |
Pompey |
561 |
Why, very well; I telling you then, if you be
remembered, that such a one and such a one were past
cure of the thing you wot of, unless they kept very
good diet, as I told you,—
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14 |
Midsummer Night's Dream
[II, 1] |
Puck |
410 |
Thou speak'st aright;
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! here comes Oberon.
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15 |
Midsummer Night's Dream
[III, 2] |
Puck |
1470 |
Thou coward, art thou bragging to the stars,
Telling the bushes that thou look'st for wars,
And wilt not come? Come, recreant; come, thou child;
I'll whip thee with a rod: he is defiled
That draws a sword on thee.
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16 |
Much Ado about Nothing
[III, 3] |
Conrade |
1452 |
All this I see; and I see that the fashion wears
out more apparel than the man. But art not thou
thyself giddy with the fashion too, that thou hast
shifted out of thy tale into telling me of the fashion?
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17 |
Othello
[II, 1] |
Iago |
1019 |
Lay thy finger thus, and let thy soul be instructed.
Mark me with what violence she first loved the Moor,
but for bragging and telling her fantastical lies:
and will she love him still for prating? let not
thy discreet heart think it. Her eye must be fed;
and what delight shall she have to look on the
devil? When the blood is made dull with the act of
sport, there should be, again to inflame it and to
give satiety a fresh appetite, loveliness in favour,
sympathy in years, manners and beauties; all which
the Moor is defective in: now, for want of these
required conveniences, her delicate tenderness will
find itself abused, begin to heave the gorge,
disrelish and abhor the Moor; very nature will
instruct her in it and compel her to some second
choice. Now, sir, this granted,—as it is a most
pregnant and unforced position—who stands so
eminent in the degree of this fortune as Cassio
does? a knave very voluble; no further
conscionable than in putting on the mere form of
civil and humane seeming, for the better compassing
of his salt and most hidden loose affection? why,
none; why, none: a slipper and subtle knave, a
finder of occasions, that has an eye can stamp and
counterfeit advantages, though true advantage never
present itself; a devilish knave. Besides, the
knave is handsome, young, and hath all those
requisites in him that folly and green minds look
after: a pestilent complete knave; and the woman
hath found him already.
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18 |
Pericles
[I, 1] |
Antiochus |
217 |
Enough.
[Enter a Messenger]
Let your breath cool yourself, telling your haste.
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19 |
Richard II
[III, 4] |
Queen |
1959 |
Nimble mischance, that art so light of foot,
Doth not thy embassage belong to me,
And am I last that knows it? O, thou think'st
To serve me last, that I may longest keep
Thy sorrow in my breast. Come, ladies, go,
To meet at London London's king in woe.
What, was I born to this, that my sad look
Should grace the triumph of great Bolingbroke?
Gardener, for telling me these news of woe,
Pray God the plants thou graft'st may never grow.
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20 |
Richard III
[I, 3] |
Richard III (Duke of Gloucester) |
576 |
What! threat you me with telling of the king?
Tell him, and spare not: look, what I have said
I will avouch in presence of the king:
I dare adventure to be sent to the Tower.
'Tis time to speak; my pains are quite forgot.
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