# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 5]

Cleopatra

1049

Give me some music; music, moody food
Of us that trade in love.

2

Hamlet
[III, 2]

Hamlet

2214

We shall obey, were she ten times our mother. Have you any
further trade with us?

3

Hamlet
[V, 1]

First Clown

3503

Why, sir, his hide is so tann'd with his trade that 'a will
keep out water a great while; and your water is a sore decayer of
your whoreson dead body. Here's a skull now. This skull hath lien
you i' th' earth three-and-twenty years.

4

Henry IV, Part II
[I, 1]

Morton

220

Sweet Earl, divorce not wisdom from your honour.
The lives of all your loving complices
Lean on your health; the which, if you give o'er
To stormy passion, must perforce decay.
You cast th' event of war, my noble lord,
And summ'd the account of chance before you said
'Let us make head.' It was your pre-surmise
That in the dole of blows your son might drop.
You knew he walk'd o'er perils on an edge,
More likely to fall in than to get o'er;
You were advis'd his flesh was capable
Of wounds and scars, and that his forward spirit
Would lift him where most trade of danger rang'd;
Yet did you say 'Go forth'; and none of this,
Though strongly apprehended, could restrain
The stiff-borne action. What hath then befall'n,
Or what hath this bold enterprise brought forth
More than that being which was like to be?

5

Henry IV, Part II
[III, 2]

Falstaff

2003

What trade art thou, Feeble?

6

Henry V
[I, 2]

Archbishop of Canterbury

329

Therefore doth heaven divide
The state of man in divers functions,
Setting endeavour in continual motion;
To which is fixed, as an aim or butt,
Obedience: for so work the honey-bees,
Creatures that by a rule in nature teach
The act of order to a peopled kingdom.
They have a king and officers of sorts;
Where some, like magistrates, correct at home,
Others, like merchants, venture trade abroad,
Others, like soldiers, armed in their stings,
Make boot upon the summer's velvet buds,
Which pillage they with merry march bring home
To the tent-royal of their emperor;
Who, busied in his majesty, surveys
The singing masons building roofs of gold,
The civil citizens kneading up the honey,
The poor mechanic porters crowding in
Their heavy burdens at his narrow gate,
The sad-eyed justice, with his surly hum,
Delivering o'er to executors pale
The lazy yawning drone. I this infer,
That many things, having full reference
To one consent, may work contrariously:
As many arrows, loosed several ways,
Come to one mark; as many ways meet in one town;
As many fresh streams meet in one salt sea;
As many lines close in the dial's centre;
So may a thousand actions, once afoot.
End in one purpose, and be all well borne
Without defeat. Therefore to France, my liege.
Divide your happy England into four;
Whereof take you one quarter into France,
And you withal shall make all Gallia shake.
If we, with thrice such powers left at home,
Cannot defend our own doors from the dog,
Let us be worried and our nation lose
The name of hardiness and policy.

7

Henry VIII
[V, 1]

Sir Thomas Lovell

2816

Now, sir, you speak of two
The most remark'd i' the kingdom. As for Cromwell,
Beside that of the jewel house, is made master
O' the rolls, and the king's secretary; further, sir,
Stands in the gap and trade of moe preferments,
With which the time will load him. The archbishop
Is the king's hand and tongue; and who dare speak
One syllable against him?

8

Julius Caesar
[I, 1]

Flavius

2

Hence! home, you idle creatures get you home:
Is this a holiday? what! know you not,
Being mechanical, you ought not walk
Upon a labouring day without the sign
Of your profession? Speak, what trade art thou?

9

Julius Caesar
[I, 1]

Marullus

8

Where is thy leather apron and thy rule?
What dost thou with thy best apparel on?
You, sir, what trade are you?

10

Julius Caesar
[I, 1]

Marullus

13

But what trade art thou? answer me directly.

11

Julius Caesar
[I, 1]

Second Commoner

14

A trade, sir, that, I hope, I may use with a safe
conscience; which is, indeed, sir, a mender of bad soles.

12

Julius Caesar
[I, 1]

Marullus

16

What trade, thou knave? thou naughty knave, what trade?

13

King Lear
[II, 2]

Earl of Kent

1126

Ay, a tailor, sir. A stonecutter or a painter could not have
made him so ill, though he had been but two hours at the trade.

14

King Lear
[IV, 1]

Edgar

2291

[aside] How should this be?
Bad is the trade that must play fool to sorrow,
Ang'ring itself and others.- Bless thee, master!

15

King Lear
[IV, 6]

Edgar

2611

Come on, sir; here's the place. Stand still. How fearful
And dizzy 'tis to cast one's eyes so low!
The crows and choughs that wing the midway air
Show scarce so gross as beetles. Halfway down
Hangs one that gathers sampire- dreadful trade!
Methinks he seems no bigger than his head.
The fishermen that walk upon the beach
Appear like mice; and yond tall anchoring bark,
Diminish'd to her cock; her cock, a buoy
Almost too small for sight. The murmuring surge
That on th' unnumb'red idle pebble chafes
Cannot be heard so high. I'll look no more,
Lest my brain turn, and the deficient sight
Topple down headlong.

16

Macbeth
[II, 3]

Macbeth

896

Who can be wise, amazed, temperate and furious,
Loyal and neutral, in a moment? No man:
The expedition my violent love
Outrun the pauser, reason. Here lay Duncan,
His silver skin laced with his golden blood;
And his gash'd stabs look'd like a breach in nature
For ruin's wasteful entrance: there, the murderers,
Steep'd in the colours of their trade, their daggers
Unmannerly breech'd with gore: who could refrain,
That had a heart to love, and in that heart
Courage to make 's love known?

17

Macbeth
[III, 5]

Hecate

1452

Have I not reason, beldams as you are,
Saucy and overbold? How did you dare
To trade and traffic with Macbeth
In riddles and affairs of death;
And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful and wrathful, who, as others do,
Loves for his own ends, not for you.
But make amends now: get you gone,
And at the pit of Acheron
Meet me i' the morning: thither he
Will come to know his destiny:
Your vessels and your spells provide,
Your charms and every thing beside.
I am for the air; this night I'll spend
Unto a dismal and a fatal end:
Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;
I'll catch it ere it come to ground:
And that distill'd by magic sleights
Shall raise such artificial sprites
As by the strength of their illusion
Shall draw him on to his confusion:
He shall spurn fate, scorn death, and bear
He hopes 'bove wisdom, grace and fear:
And you all know, security
Is mortals' chiefest enemy.
[Music and a song within: 'Come away, come away,' &c]
Hark! I am call'd; my little spirit, see,
Sits in a foggy cloud, and stays for me.

18

Measure for Measure
[I, 2]

Pompey

195

Come; fear you not: good counsellors lack no
clients: though you change your place, you need not
change your trade; I'll be your tapster still.
Courage! there will be pity taken on you: you that
have worn your eyes almost out in the service, you
will be considered.

19

Measure for Measure
[II, 1]

Escalus

641

So. What trade are you of, sir?

20

Measure for Measure
[II, 1]

Escalus

668

How would you live, Pompey? by being a bawd? What
do you think of the trade, Pompey? is it a lawful trade?