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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Hamlet
[II, 2] |
Polonius |
1477 |
The best actors in the world, either for tragedy, comedy,
history, pastoral, pastoral-comical, historical-pastoral,
tragical-historical, tragical-comical-historical-pastoral; scene
individable, or poem unlimited. Seneca cannot be too heavy, nor
Plautus too light. For the law of writ and the liberty, these are
the only men.
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2 |
Hamlet
[III, 2] |
Ophelia |
2038 |
You are naught, you are naught! I'll mark the play.
Pro. For us, and for our tragedy,
Here stooping to your clemency,
We beg your hearing patiently. [Exit.]
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3 |
Henry V
[I, 2] |
Archbishop of Canterbury |
242 |
The sin upon my head, dread sovereign!
For in the book of Numbers is it writ,
When the man dies, let the inheritance
Descend unto the daughter. Gracious lord,
Stand for your own; unwind your bloody flag;
Look back into your mighty ancestors:
Go, my dread lord, to your great-grandsire's tomb,
From whom you claim; invoke his warlike spirit,
And your great-uncle's, Edward the Black Prince,
Who on the French ground play'd a tragedy,
Making defeat on the full power of France,
Whiles his most mighty father on a hill
Stood smiling to behold his lion's whelp
Forage in blood of French nobility.
O noble English. that could entertain
With half their forces the full Pride of France
And let another half stand laughing by,
All out of work and cold for action!
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4 |
Henry VI, Part I
[I, 4] |
Lord Talbot/Earl of Shrewsbury |
532 |
What chance is this that suddenly hath cross'd us?
Speak, Salisbury; at least, if thou canst speak:
How farest thou, mirror of all martial men?
One of thy eyes and thy cheek's side struck off!
Accursed tower! accursed fatal hand
That hath contrived this woful tragedy!
In thirteen battles Salisbury o'ercame;
Henry the Fifth he first train'd to the wars;
Whilst any trump did sound, or drum struck up,
His sword did ne'er leave striking in the field.
Yet livest thou, Salisbury? though thy speech doth fail,
One eye thou hast, to look to heaven for grace:
The sun with one eye vieweth all the world.
Heaven, be thou gracious to none alive,
If Salisbury wants mercy at thy hands!
Bear hence his body; I will help to bury it.
Sir Thomas Gargrave, hast thou any life?
Speak unto Talbot; nay, look up to him.
Salisbury, cheer thy spirit with this comfort;
Thou shalt not die whiles—
He beckons with his hand and smiles on me.
As who should say 'When I am dead and gone,
Remember to avenge me on the French.'
Plantagenet, I will; and like thee, Nero,
Play on the lute, beholding the towns burn:
Wretched shall France be only in my name.
[Here an alarum, and it thunders and lightens]
What stir is this? what tumult's in the heavens?
Whence cometh this alarum and the noise?
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5 |
Henry VI, Part II
[III, 1] |
Duke of Gloucester |
1423 |
Ah, gracious lord, these days are dangerous:
Virtue is choked with foul ambition
And charity chased hence by rancour's hand;
Foul subornation is predominant
And equity exiled your highness' land.
I know their complot is to have my life,
And if my death might make this island happy,
And prove the period of their tyranny,
I would expend it with all willingness:
But mine is made the prologue to their play;
For thousands more, that yet suspect no peril,
Will not conclude their plotted tragedy.
Beaufort's red sparkling eyes blab his heart's malice,
And Suffolk's cloudy brow his stormy hate;
Sharp Buckingham unburthens with his tongue
The envious load that lies upon his heart;
And dogged York, that reaches at the moon,
Whose overweening arm I have pluck'd back,
By false accuse doth level at my life:
And you, my sovereign lady, with the rest,
Causeless have laid disgraces on my head,
And with your best endeavour have stirr'd up
My liefest liege to be mine enemy:
Ay, all you have laid your heads together—
Myself had notice of your conventicles—
And all to make away my guiltless life.
I shall not want false witness to condemn me,
Nor store of treasons to augment my guilt;
The ancient proverb will be well effected:
'A staff is quickly found to beat a dog.'
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6 |
Henry VI, Part II
[III, 2] |
Earl of Warwick |
1873 |
Who finds the heifer dead and bleeding fresh
And sees fast by a butcher with an axe,
But will suspect 'twas he that made the slaughter?
Who finds the partridge in the puttock's nest,
But may imagine how the bird was dead,
Although the kite soar with unbloodied beak?
Even so suspicious is this tragedy.
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7 |
Henry VI, Part III
[II, 3] |
Earl of Warwick |
1051 |
Then let the earth be drunken with our blood:
I'll kill my horse, because I will not fly.
Why stand we like soft-hearted women here,
Wailing our losses, whiles the foe doth rage;
And look upon, as if the tragedy
Were play'd in jest by counterfeiting actors?
Here on my knee I vow to God above,
I'll never pause again, never stand still,
Till either death hath closed these eyes of mine
Or fortune given me measure of revenge.
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8 |
Midsummer Night's Dream
[V, 1] |
Theseus |
2201 |
No epilogue, I pray you; for your play needs no
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine
tragedy: and so it is, truly; and very notably
discharged. But come, your Bergomask: let your
epilogue alone.
[A dance]
The iron tongue of midnight hath told twelve:
Lovers, to bed; 'tis almost fairy time.
I fear we shall out-sleep the coming morn
As much as we this night have overwatch'd.
This palpable-gross play hath well beguiled
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revels and new jollity.
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9 |
Richard III
[III, 2] |
Lord Hastings |
1838 |
But I shall laugh at this a twelve-month hence,
That they who brought me in my master's hate
I live to look upon their tragedy.
I tell thee, Catesby—
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10 |
Titus Andronicus
[II, 3] |
Tamora |
1015 |
Then all too late I bring this fatal writ,
The complot of this timeless tragedy;
And wonder greatly that man's face can fold
In pleasing smiles such murderous tyranny.
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