# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 3]

Lafeu

1150

The devil it is that's thy master. Why dost thou
garter up thy arms o' this fashion? dost make hose of
sleeves? do other servants so? Thou wert best set
thy lower part where thy nose stands. By mine
honour, if I were but two hours younger, I'ld beat
thee: methinks, thou art a general offence, and
every man should beat thee: I think thou wast
created for men to breathe themselves upon thee.

2

All's Well That Ends Well
[V, 2]

Parolles

2623

Nay, you need not to stop your nose, sir; I spake
but by a metaphor.

3

All's Well That Ends Well
[V, 2]

Clown

2625

Indeed, sir, if your metaphor stink, I will stop my
nose; or against any man's metaphor. Prithee, get
thee further.

4

Antony and Cleopatra
[I, 2]

Iras

136

Not in my husband's nose.

5

Antony and Cleopatra
[III, 13]

Cleopatra

2290

What, no more ceremony? See, my women!
Against the blown rose may they stop their nose
That kneel'd unto the buds. Admit him, sir.

6

As You Like It
[II, 1]

First Lord

574

Indeed, my lord,
The melancholy Jaques grieves at that;
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood!
To the which place a poor sequest'red stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish; and, indeed, my lord,
The wretched animal heav'd forth such groans
That their discharge did stretch his leathern coat
Almost to bursting; and the big round tears
Cours'd one another down his innocent nose
In piteous chase; and thus the hairy fool,
Much marked of the melancholy Jaques,
Stood on th' extremest verge of the swift brook,
Augmenting it with tears.

7

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

8

Comedy of Errors
[III, 2]

Dromio of Syracuse

891

Oh, sir, upon her nose all o'er embellished with
rubies, carbuncles, sapphires, declining their rich
aspect to the hot breath of Spain; who sent whole
armadoes of caracks to be ballast at her nose.

9

Coriolanus
[I, 9]

Coriolanus

814

May these same instruments, which you profane,
Never sound more! when drums and trumpets shall
I' the field prove flatterers, let courts and cities be
Made all of false-faced soothing!
When steel grows soft as the parasite's silk,
Let him be made a coverture for the wars!
No more, I say! For that I have not wash'd
My nose that bled, or foil'd some debile wretch.—
Which, without note, here's many else have done,—
You shout me forth
In acclamations hyperbolical;
As if I loved my little should be dieted
In praises sauced with lies.

10

Coriolanus
[V, 1]

Cominius

3304

I offer'd to awaken his regard
For's private friends: his answer to me was,
He could not stay to pick them in a pile
Of noisome musty chaff: he said 'twas folly,
For one poor grain or two, to leave unburnt,
And still to nose the offence.

11

Hamlet
[II, 2]

Hamlet

1620

Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern]
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.

12

Hamlet
[IV, 3]

Hamlet

2744

In heaven. Send thither to see. If your messenger find him not
there, seek him i' th' other place yourself. But indeed, if you
find him not within this month, you shall nose him as you go up
the stair, into the lobby.

13

Henry IV, Part I
[I, 3]

Hotspur (Henry Percy)

354

My liege, I did deny no prisoners.
But I remember, when the fight was done,
When I was dry with rage and extreme toil,
Breathless and faint, leaning upon my sword,
Came there a certain lord, neat, and trimly dress'd,
Fresh as a bridegroom; and his chin new reap'd
Show'd like a stubble-land at harvest-home;
He was perfumed like a milliner;
And 'twixt his finger and his thumb he held
A pouncet-box, which ever and anon
He gave his nose and took't away again;
Who therewith angry, when it next came there,
Took it in snuff; and still he smiled and talk'd,
And as the soldiers bore dead bodies by,
He call'd them untaught knaves, unmannerly,
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
With many holiday and lady terms
He question'd me; amongst the rest, demanded
My prisoners in your majesty's behalf.
I then, all smarting with my wounds being cold,
To be so pester'd with a popinjay,
Out of my grief and my impatience,
Answer'd neglectingly I know not what,
He should or he should not; for he made me mad
To see him shine so brisk and smell so sweet
And talk so like a waiting-gentlewoman
Of guns and drums and wounds,—God save the mark!—
And telling me the sovereign'st thing on earth
Was parmaceti for an inward bruise;
And that it was great pity, so it was,
This villanous salt-petre should be digg'd
Out of the bowels of the harmless earth,
Which many a good tall fellow had destroy'd
So cowardly; and but for these vile guns,
He would himself have been a soldier.
This bald unjointed chat of his, my lord,
I answer'd indirectly, as I said;
And I beseech you, let not his report
Come current for an accusation
Betwixt my love and your high majesty.

14

Henry IV, Part I
[III, 3]

Falstaff

2031

Do thou amend thy face, and I'll amend my life:
thou art our admiral, thou bearest the lantern in
the poop, but 'tis in the nose of thee; thou art the
Knight of the Burning Lamp.

15

Henry IV, Part I
[III, 3]

Falstaff

2086

How! poor? look upon his face; what call you rich?
let them coin his nose, let them coin his cheeks:
Ill not pay a denier. What, will you make a younker
of me? shall I not take mine case in mine inn but I
shall have my pocket picked? I have lost a
seal-ring of my grandfather's worth forty mark.

16

Henry IV, Part II
[II, 4]

Henry V

1623

See now, whether pure fear and entire cowardice doth
make thee wrong this virtuous gentlewoman to close with us?
she of the wicked? Is thine hostess here of the wicked? Or is
boy of the wicked? Or honest Bardolph, whose zeal burns in
nose, of the wicked?

17

Henry V
[II, 3]

Hostess Quickly

840

Nay, sure, he's not in hell: he's in Arthur's
bosom, if ever man went to Arthur's bosom. A' made
a finer end and went away an it had been any
christom child; a' parted even just between twelve
and one, even at the turning o' the tide: for after
I saw him fumble with the sheets and play with
flowers and smile upon his fingers' ends, I knew
there was but one way; for his nose was as sharp as
a pen, and a' babbled of green fields. 'How now,
sir John!' quoth I. 'what, man! be o' good
cheer.' So a' cried out 'God, God, God!' three or
four times. Now I, to comfort him, bid him a'
should not think of God; I hoped there was no need
to trouble himself with any such thoughts yet. So
a' bade me lay more clothes on his feet: I put my
hand into the bed and felt them, and they were as
cold as any stone; then I felt to his knees, and
they were as cold as any stone, and so upward and
upward, and all was as cold as any stone.

18

Henry V
[II, 3]

Boy

870

Do you not remember, a' saw a flea stick upon
Bardolph's nose, and a' said it was a black soul
burning in hell-fire?

19

Henry V
[III, 6]

Fluellen

1563

The perdition of th' athversary hath been very
great, reasonable great: marry, for my part, I
think the duke hath lost never a man, but one that
is like to be executed for robbing a church, one
Bardolph, if your majesty know the man: his face is
all bubukles, and whelks, and knobs, and flames o'
fire: and his lips blows at his nose, and it is like
a coal of fire, sometimes plue and sometimes red;
but his nose is executed and his fire's out.

20

Henry VI, Part II
[III, 2]

Duke/Earl of Somerset

1714

Rear up his body; wring him by the nose.