Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

Let me not to the marriage of true minds
Admit impediments: love is not love
Which alters when it alteration finds.

      — Sonnet CXVI

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-16 of 16 total

KEYWORD: performance

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 1]

King of France

813

Here is my hand; the premises observed,
Thy will by my performance shall be served:
So make the choice of thy own time, for I,
Thy resolved patient, on thee still rely.
More should I question thee, and more I must,
Though more to know could not be more to trust,
From whence thou camest, how tended on: but rest
Unquestion'd welcome and undoubted blest.
Give me some help here, ho! If thou proceed
As high as word, my deed shall match thy meed.

2

Antony and Cleopatra
[III, 1]

Ventidius

1560

O Silius, Silius,
I have done enough; a lower place, note well,
May make too great an act: for learn this, Silius;
Better to leave undone, than by our deed
Acquire too high a fame when him we serve's away.
Caesar and Antony have ever won
More in their officer than person: Sossius,
One of my place in Syria, his lieutenant,
For quick accumulation of renown,
Which he achieved by the minute, lost his favour.
Who does i' the wars more than his captain can
Becomes his captain's captain: and ambition,
The soldier's virtue, rather makes choice of loss,
Than gain which darkens him.
I could do more to do Antonius good,
But 'twould offend him; and in his offence
Should my performance perish.

3

Hamlet
[IV, 7]

Claudius

3295

Let's further think of this,
Weigh what convenience both of time and means
May fit us to our shape. If this should fall,
And that our drift look through our bad performance.
'Twere better not assay'd. Therefore this project
Should have a back or second, that might hold
If this did blast in proof. Soft! let me see.
We'll make a solemn wager on your cunnings-
I ha't!
When in your motion you are hot and dry-
As make your bouts more violent to that end-
And that he calls for drink, I'll have prepar'd him
A chalice for the nonce; whereon but sipping,
If he by chance escape your venom'd stuck,
Our purpose may hold there.- But stay, what noise,
[Enter Queen.]
How now, sweet queen?

4

Henry IV, Part II
[II, 4]

Edward Poins

1549

Is it not strange that desire should so many years
performance?

5

Henry V
[III, 0]

Chorus

1053

Thus with imagined wing our swift scene flies
In motion of no less celerity
Than that of thought. Suppose that you have seen
The well-appointed king at Hampton pier
Embark his royalty; and his brave fleet
With silken streamers the young Phoebus fanning:
Play with your fancies, and in them behold
Upon the hempen tackle ship-boys climbing;
Hear the shrill whistle which doth order give
To sounds confused; behold the threaden sails,
Borne with the invisible and creeping wind,
Draw the huge bottoms through the furrow'd sea,
Breasting the lofty surge: O, do but think
You stand upon the ravage and behold
A city on the inconstant billows dancing;
For so appears this fleet majestical,
Holding due course to Harfleur. Follow, follow:
Grapple your minds to sternage of this navy,
And leave your England, as dead midnight still,
Guarded with grandsires, babies and old women,
Either past or not arrived to pith and puissance;
For who is he, whose chin is but enrich'd
With one appearing hair, that will not follow
These cull'd and choice-drawn cavaliers to France?
Work, work your thoughts, and therein see a siege;
Behold the ordnance on their carriages,
With fatal mouths gaping on girded Harfleur.
Suppose the ambassador from the French comes back;
Tells Harry that the king doth offer him
Katharine his daughter, and with her, to dowry,
Some petty and unprofitable dukedoms.
The offer likes not: and the nimble gunner
With linstock now the devilish cannon touches,
[Alarum, and chambers go off]
And down goes all before them. Still be kind,
And eke out our performance with your mind.

6

Henry VI, Part II
[I, 4]

Father John Hume

625

Come, my masters; the duchess, I tell you, expects
performance of your promises.

7

Henry VIII
[I, 2]

Surveyor

555

After 'the duke his father,' with 'the knife,'
He stretch'd him, and, with one hand on his dagger,
Another spread on's breast, mounting his eyes
He did discharge a horrible oath; whose tenor
Was,—were he evil used, he would outgo
His father by as much as a performance
Does an irresolute purpose.

8

Henry VIII
[IV, 2]

Queen Katharine

2591

So may he rest; his faults lie gently on him!
Yet thus far, Griffith, give me leave to speak him,
And yet with charity. He was a man
Of an unbounded stomach, ever ranking
Himself with princes; one that, by suggestion,
Tied all the kingdom: simony was fair-play;
His own opinion was his law: i' the presence
He would say untruths; and be ever double
Both in his words and meaning: he was never,
But where he meant to ruin, pitiful:
His promises were, as he then was, mighty;
But his performance, as he is now, nothing:
Of his own body he was ill, and gave
The clergy in example.

9

Julius Caesar
[II, 1]

Brutus

732

No, not an oath: if not the face of men,
The sufferance of our souls, the time's abuse,—
If these be motives weak, break off betimes,
And every man hence to his idle bed;
So let high-sighted tyranny range on,
Till each man drop by lottery. But if these,
As I am sure they do, bear fire enough
To kindle cowards and to steel with valour
The melting spirits of women, then, countrymen,
What need we any spur but our own cause,
To prick us to redress? what other bond
Than secret Romans, that have spoke the word,
And will not palter? and what other oath
Than honesty to honesty engaged,
That this shall be, or we will fall for it?
Swear priests and cowards and men cautelous,
Old feeble carrions and such suffering souls
That welcome wrongs; unto bad causes swear
Such creatures as men doubt; but do not stain
The even virtue of our enterprise,
Nor the insuppressive mettle of our spirits,
To think that or our cause or our performance
Did need an oath; when every drop of blood
That every Roman bears, and nobly bears,
Is guilty of a several bastardy,
If he do break the smallest particle
Of any promise that hath pass'd from him.

10

Macbeth
[II, 3]

Porter

788

Marry, sir, nose-painting, sleep, and
urine. Lechery, sir, it provokes, and unprovokes;
it provokes the desire, but it takes
away the performance: therefore, much drink
may be said to be an equivocator with lechery:
it makes him, and it mars him; it sets
him on, and it takes him off; it persuades him,
and disheartens him; makes him stand to, and
not stand to; in conclusion, equivocates him
in a sleep, and, giving him the lie, leaves him.

11

Pericles
[IV, 2]

Boult

1728

Performance shall follow.

12

Timon of Athens
[V, 1]

Painter

2281

Good as the best. Promising is the very air o' the
time: it opens the eyes of expectation:
performance is ever the duller for his act; and,
but in the plainer and simpler kind of people, the
deed of saying is quite out of use. To promise is
most courtly and fashionable: performance is a kind
of will or testament which argues a great sickness
in his judgment that makes it.

13

Troilus and Cressida
[II, 2]

Troilus

1192

Why, there you touch'd the life of our design:
Were it not glory that we more affected
Than the performance of our heaving spleens,
I would not wish a drop of Trojan blood
Spent more in her defence. But, worthy Hector,
She is a theme of honour and renown,
A spur to valiant and magnanimous deeds,
Whose present courage may beat down our foes,
And fame in time to come canonize us;
For, I presume, brave Hector would not lose
So rich advantage of a promised glory
As smiles upon the forehead of this action
For the wide world's revenue.

14

Troilus and Cressida
[III, 1]

Paris

1542

You have broke it, cousin: and, by my life, you
shall make it whole again; you shall piece it out
with a piece of your performance. Nell, he is full
of harmony.

15

Troilus and Cressida
[III, 2]

Cressida

1735

They say all lovers swear more performance than they
are able and yet reserve an ability that they never
perform, vowing more than the perfection of ten and
discharging less than the tenth part of one. They
that have the voice of lions and the act of hares,
are they not monsters?

16

Troilus and Cressida
[V, 10]

Pandarus

3672

A goodly medicine for my aching bones! O world!
world! world! thus is the poor agent despised!
O traitors and bawds, how earnestly are you set
a-work, and how ill requited! why should our
endeavour be so loved and the performance so loathed?
what verse for it? what instance for it? Let me see:
Full merrily the humble-bee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.
Good traders in the flesh, set this in your
painted cloths.
As many as be here of pander's hall,
Your eyes, half out, weep out at Pandar's fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the hold-door trade,
Some two months hence my will shall here be made:
It should be now, but that my fear is this,
Some galled goose of Winchester would hiss:
Till then I'll sweat and seek about for eases,
And at that time bequeathe you my diseases.

] Back to the concordance menu