Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

Let every man be master of his time
Till seven at night.

      — Macbeth, Act III Scene 1

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-20 of 163 total

KEYWORD: voice

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 3]

King of France

940

Go, call before me all the lords in court.
Sit, my preserver, by thy patient's side;
And with this healthful hand, whose banish'd sense
Thou hast repeal'd, a second time receive
The confirmation of my promised gift,
Which but attends thy naming.
[Enter three or four Lords]
Fair maid, send forth thine eye: this youthful parcel
Of noble bachelors stand at my bestowing,
O'er whom both sovereign power and father's voice
I have to use: thy frank election make;
Thou hast power to choose, and they none to forsake.

2

All's Well That Ends Well
[IV, 1]

Second Lord

1911

Art not acquainted with him? knows he not thy voice?

3

Antony and Cleopatra
[V, 2]

Cleopatra

3490

His legs bestrid the ocean: his rear'd arm
Crested the world: his voice was propertied
As all the tuned spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in't; an autumn 'twas
That grew the more by reaping: his delights
Were dolphin-like; they show'd his back above
The element they lived in: in his livery
Walk'd crowns and crownets; realms and islands were
As plates dropp'd from his pocket.

4

As You Like It
[II, 4]

Corin

793

Fair sir, I pity her,
And wish, for her sake more than for mine own,
My fortunes were more able to relieve her;
But I am shepherd to another man,
And do not shear the fleeces that I graze.
My master is of churlish disposition,
And little recks to find the way to heaven
By doing deeds of hospitality.
Besides, his cote, his flocks, and bounds of feed,
Are now on sale; and at our sheepcote now,
By reason of his absence, there is nothing
That you will feed on; but what is, come see,
And in my voice most welcome shall you be.

5

As You Like It
[II, 5]

Amiens

832

My voice is ragged; I know I cannot please you.

6

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

7

As You Like It
[V, 3]

First Page

2370

Shall we clap into't roundly, without hawking, or
spitting, or saying we are hoarse, which are the only prologues
to a bad voice?

8

Comedy of Errors
[V, 1]

Aegeon

1736

O, grief hath changed me since you saw me last,
And careful hours with time's deformed hand
Have written strange defeatures in my face:
But tell me yet, dost thou not know my voice?

9

Comedy of Errors
[V, 1]

Aegeon

1746

Not know my voice! O time's extremity,
Hast thou so crack'd and splitted my poor tongue
In seven short years, that here my only son
Knows not my feeble key of untuned cares?
Though now this grained face of mine be hid
In sap-consuming winter's drizzled snow,
And all the conduits of my blood froze up,
Yet hath my night of life some memory,
My wasting lamps some fading glimmer left,
My dull deaf ears a little use to hear:
All these old witnesses—I cannot err—
Tell me thou art my son Antipholus.

10

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

11

Coriolanus
[II, 3]

Coriolanus

1508

Kindly! Sir, I pray, let me ha't: I have wounds to
show you, which shall be yours in private. Your
good voice, sir; what say you?

12

Coriolanus
[II, 3]

Sixth Citizen

1566

He has done nobly, and cannot go without any honest
man's voice.

13

Coriolanus
[II, 3]

Menenius Agrippa

1574

You have stood your limitation; and the tribunes
Endue you with the people's voice: remains
That, in the official marks invested, you
Anon do meet the senate.

14

Coriolanus
[II, 3]

Junius Brutus

1663

Get you hence instantly, and tell those friends,
They have chose a consul that will from them take
Their liberties; make them of no more voice
Than dogs that are as often beat for barking
As therefore kept to do so.

15

Coriolanus
[II, 3]

Sicinius Velutus

1682

Say, you chose him
More after our commandment than as guided
By your own true affections, and that your minds,
Preoccupied with what you rather must do
Than what you should, made you against the grain
To voice him consul: lay the fault on us.

16

Coriolanus
[III, 1]

Junius Brutus

1876

Why, shall the people give
One that speaks thus their voice?

17

Coriolanus
[III, 2]

Coriolanus

2298

Well, I must do't:
Away, my disposition, and possess me
Some harlot's spirit! my throat of war be turn'd,
Which quired with my drum, into a pipe
Small as an eunuch, or the virgin voice
That babies lulls asleep! the smiles of knaves
Tent in my cheeks, and schoolboys' tears take up
The glasses of my sight! a beggar's tongue
Make motion through my lips, and my arm'd knees,
Who bow'd but in my stirrup, bend like his
That hath received an alms! I will not do't,
Lest I surcease to honour mine own truth
And by my body's action teach my mind
A most inherent baseness.

18

Coriolanus
[III, 3]

Coriolanus

2419

What is the matter
That being pass'd for consul with full voice,
I am so dishonour'd that the very hour
You take it off again?

19

Coriolanus
[III, 3]

Coriolanus

2431

The fires i' the lowest hell fold-in the people!
Call me their traitor! Thou injurious tribune!
Within thine eyes sat twenty thousand deaths,
In thy hand clutch'd as many millions, in
Thy lying tongue both numbers, I would say
'Thou liest' unto thee with a voice as free
As I do pray the gods.

20

Coriolanus
[IV, 5]

Coriolanus

2830

My name is Caius CORIOLANUS, who hath done
To thee particularly and to all the Volsces
Great hurt and mischief; thereto witness may
My surname, Coriolanus: the painful service,
The extreme dangers and the drops of blood
Shed for my thankless country are requited
But with that surname; a good memory,
And witness of the malice and displeasure
Which thou shouldst bear me: only that name remains;
The cruelty and envy of the people,
Permitted by our dastard nobles, who
Have all forsook me, hath devour'd the rest;
And suffer'd me by the voice of slaves to be
Whoop'd out of Rome. Now this extremity
Hath brought me to thy hearth; not out of hope—
Mistake me not—to save my life, for if
I had fear'd death, of all the men i' the world
I would have 'voided thee, but in mere spite,
To be full quit of those my banishers,
Stand I before thee here. Then if thou hast
A heart of wreak in thee, that wilt revenge
Thine own particular wrongs and stop those maims
Of shame seen through thy country, speed
thee straight,
And make my misery serve thy turn: so use it
That my revengeful services may prove
As benefits to thee, for I will fight
Against my canker'd country with the spleen
Of all the under fiends. But if so be
Thou darest not this and that to prove more fortunes
Thou'rt tired, then, in a word, I also am
Longer to live most weary, and present
My throat to thee and to thy ancient malice;
Which not to cut would show thee but a fool,
Since I have ever follow'd thee with hate,
Drawn tuns of blood out of thy country's breast,
And cannot live but to thy shame, unless
It be to do thee service.

] Back to the concordance menu